The transformation and interpretation of Carmen’s image in contemporary sports choreography

Eleonora Varnacova
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Abstract

The novel Carmen by Prosper Mérimée and later the opera by Georges Bizet from the 19th century to this day serve as the basis for many works of various types and genres of art, including choreography. In the modern conditions of development, the sports dance, as a part of art and sport, is associated with current trends in the evolution of choreographic art. The sports dance is acquiring an increasingly bright aesthetic orientation, expanding the artistic possibilities of the choreographic language. Based on classical canons, using improvisation, the development of the personal style and manner of the dancer, the sports dance can open up new opportunities for the choreographic development, including in terms of involving classical plot themes. The relevance is also determined by the insufficient level of research into the problem of the development of the sports dance in the context of the modern development of choreographic art, the need to improve the training system, both for choreographers and sports dance performers.
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当代体育舞蹈中卡门形象的转变与诠释
从 19 世纪至今,普罗斯珀-梅里美的小说《卡门》以及后来乔治-比才的歌剧一直是许多不同类型和流派的艺术作品(包括舞蹈)的基础。在现代发展条件下,体育舞蹈作为艺术和体育的一部分,与当前舞蹈艺术发展的趋势息息相关。体育舞蹈的审美取向日益鲜明,拓展了舞蹈语言的艺术可能性。体育舞蹈以经典为基础,运用即兴创作,发展舞者的个人风格和方式,为舞蹈发展开辟了新的机遇,包括在涉及经典情节主题方面。在现代舞蹈艺术发展的背景下,对体育舞蹈发展问题的研究水平不足,需要完善舞蹈编导和体育舞蹈表演者的培训体系,这也决定了体育舞蹈的现实意义。
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