Pub Date : 2024-02-01DOI: 10.55383/amtap.2023.1.12
Oxana Diaconu-Catan
In the carried out research is highlighted the role and contribution of lithography as an original technique of multiplication, which contributed to the development of graphic art. Focusing on the presentation of the technical characteristics, the author pleads for bringing back the interest of plastic artists and graphic design students towards this technique, which offers various possibilities for creative expression. The evolution of lithography in historical circumstances is being traced, as well as its impact in artistic creation, highlighting both the advantages of lithography and its utilitarian and aesthetic role. At the same time, are mentioned the most representative plastic artists who have approached the lithographic technique in their works, which influences and helps the contemporary artist in his own work, marked by the active interaction of technology, science and art. Only by mastering the various techniques professionals will be educated with a developed visual perception and a high creative potential.
{"title":"The value of lithography in artistic creation","authors":"Oxana Diaconu-Catan","doi":"10.55383/amtap.2023.1.12","DOIUrl":"https://doi.org/10.55383/amtap.2023.1.12","url":null,"abstract":"In the carried out research is highlighted the role and contribution of lithography as an original technique of multiplication, which contributed to the development of graphic art. Focusing on the presentation of the technical characteristics, the author pleads for bringing back the interest of plastic artists and graphic design students towards this technique, which offers various possibilities for creative expression. The evolution of lithography in historical circumstances is being traced, as well as its impact in artistic creation, highlighting both the advantages of lithography and its utilitarian and aesthetic role. At the same time, are mentioned the most representative plastic artists who have approached the lithographic technique in their works, which influences and helps the contemporary artist in his own work, marked by the active interaction of technology, science and art. Only by mastering the various techniques professionals will be educated with a developed visual perception and a high creative potential.","PeriodicalId":518989,"journal":{"name":"Studiul artelor şi culturologie: istorie, teorie, practică","volume":"46 33","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140528806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-01DOI: 10.55383/amtap.2023.1.10
Eleonora Varnacova
The novel Carmen by Prosper Mérimée and later the opera by Georges Bizet from the 19th century to this day serve as the basis for many works of various types and genres of art, including choreography. In the modern conditions of development, the sports dance, as a part of art and sport, is associated with current trends in the evolution of choreographic art. The sports dance is acquiring an increasingly bright aesthetic orientation, expanding the artistic possibilities of the choreographic language. Based on classical canons, using improvisation, the development of the personal style and manner of the dancer, the sports dance can open up new opportunities for the choreographic development, including in terms of involving classical plot themes. The relevance is also determined by the insufficient level of research into the problem of the development of the sports dance in the context of the modern development of choreographic art, the need to improve the training system, both for choreographers and sports dance performers.
{"title":"The transformation and interpretation of Carmen’s image in contemporary sports choreography","authors":"Eleonora Varnacova","doi":"10.55383/amtap.2023.1.10","DOIUrl":"https://doi.org/10.55383/amtap.2023.1.10","url":null,"abstract":"The novel Carmen by Prosper Mérimée and later the opera by Georges Bizet from the 19th century to this day serve as the basis for many works of various types and genres of art, including choreography. In the modern conditions of development, the sports dance, as a part of art and sport, is associated with current trends in the evolution of choreographic art. The sports dance is acquiring an increasingly bright aesthetic orientation, expanding the artistic possibilities of the choreographic language. Based on classical canons, using improvisation, the development of the personal style and manner of the dancer, the sports dance can open up new opportunities for the choreographic development, including in terms of involving classical plot themes. The relevance is also determined by the insufficient level of research into the problem of the development of the sports dance in the context of the modern development of choreographic art, the need to improve the training system, both for choreographers and sports dance performers.","PeriodicalId":518989,"journal":{"name":"Studiul artelor şi culturologie: istorie, teorie, practică","volume":"255 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140528995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-01DOI: 10.55383/amtap.2023.1.18
Iulian Catalin Danila
Since its first issue, of January 1, 1936, the „Însemnări ieșene” [„Notes from Jassy”] Magazine (1936-1940) has emphasized the orientation of „a group of intellectuals” that aimed to continue the tradition of the literary, cultural and scientific circles from Moldavia, with a focus on a series of ideas related to „national specificity”, „popular language”, „cultural unification”. For almost five years, the magazine polarized intellectuals from all over Moldavia and had an intense program of dissemination of the Romanian culture through the organization of itinerant conferences in the cities of Jassy, Tighina, Kishinev, Soroca and Balti. The September 1, 1940 issue of the magazine was dedicated to Bessarabia and Bukovina and was remarkable for its spiritual Romanian essence. The present paper dwells on the importance of this special issue of the magazine, which deals with a number of representative topics announced by the article titles such as: „Basarabia până la 1812” [„Bessarabia until 1812”], „Viața românească în Basarabia (1812-1918”) [„Romanian Life in Bessarabia (1812-1918)”], „Mărturii moldovenești la Nistru” [„Moldavian Testimonies on the Dniester River”], „Basarabia – provincie istorică rusească?” [„Bessarabia– Russian Historical Province?”], „Universitatea din Cernăuți” [„The University of Chernivtsi”], „A doua pierdere a Bucovinei și Basarabiei” [„The Second Loss of Bukovina and Bessarabia”], „Iar vremuri de bejanie”, [„New Times of Turmoil”], „Și totuși, nu deznădăjduim!” [„And Yet, We Do Not Despair!”] and many more. This unique issue was illustrated with numerous images from Bessarabia and Northern Bukovina, as well as with portraits of cultural personalities born in the Romanian land between the Prut and Dniester rivers, all meant to discuss and emphasize the national identity of Romanians through culture.
自 1936 年 1 月 1 日创刊以来，《雅西笔记》杂志（1936-1940 年）一直强调 "一群知识分子 "的方向，旨在继承摩尔达维亚文学、文化和科学界的传统，重点关注与 "民族特性"、"大众语言 "和 "文化统一 "有关的一系列思想。在将近五年的时间里，该杂志将摩尔达维亚各地的知识分子分化开来，并通过在雅西、蒂吉纳、基希内夫、索罗卡和巴蒂等城市组织巡回会议，大力宣传罗马尼亚文化。该杂志 1940 年 9 月 1 日的一期专门介绍了比萨拉比亚和布科维纳，其罗马尼亚精神实质令人瞩目。这期特刊的文章标题包括："巴萨拉比亚与布科维纳"，"巴萨拉比亚与布科维纳 "等："Basarabia până la 1812"、"Viața românească în Basarabia (1812-1918")"、"Mărturii moldovenești la Nistru"、"德涅斯特河上的摩尔达维亚证词"、"Basarabia - provincie istorică rusească?["、"Bessarabia - provincie istorică rusească？"、"切尔诺夫策大学"、"A doua pierdere a Bucovinei și Basarabiei"、"布科维纳和比萨拉比亚的第二次损失"、"Iar vremuri de bejanie"、"New Times of Turmoil"、"Și totuși, nu deznădăjduim![然而，我们并不绝望！"等等。这期独特的杂志配有大量来自比萨拉比亚和北布科维纳的图片，以及在普鲁特河和德涅斯特河之间的罗马尼亚土地上出生的文化名人的肖像，旨在通过文化讨论和强调罗马尼亚人的民族身份。
{"title":"National identity through culture in the Însemnări ieșene [notes from Jassy] magazine. A case study","authors":"Iulian Catalin Danila","doi":"10.55383/amtap.2023.1.18","DOIUrl":"https://doi.org/10.55383/amtap.2023.1.18","url":null,"abstract":"Since its first issue, of January 1, 1936, the „Însemnări ieșene” [„Notes from Jassy”] Magazine (1936-1940) has emphasized the orientation of „a group of intellectuals” that aimed to continue the tradition of the literary, cultural and scientific circles from Moldavia, with a focus on a series of ideas related to „national specificity”, „popular language”, „cultural unification”. For almost five years, the magazine polarized intellectuals from all over Moldavia and had an intense program of dissemination of the Romanian culture through the organization of itinerant conferences in the cities of Jassy, Tighina, Kishinev, Soroca and Balti. The September 1, 1940 issue of the magazine was dedicated to Bessarabia and Bukovina and was remarkable for its spiritual Romanian essence. The present paper dwells on the importance of this special issue of the magazine, which deals with a number of representative topics announced by the article titles such as: „Basarabia până la 1812” [„Bessarabia until 1812”], „Viața românească în Basarabia (1812-1918”) [„Romanian Life in Bessarabia (1812-1918)”], „Mărturii moldovenești la Nistru” [„Moldavian Testimonies on the Dniester River”], „Basarabia – provincie istorică rusească?” [„Bessarabia– Russian Historical Province?”], „Universitatea din Cernăuți” [„The University of Chernivtsi”], „A doua pierdere a Bucovinei și Basarabiei” [„The Second Loss of Bukovina and Bessarabia”], „Iar vremuri de bejanie”, [„New Times of Turmoil”], „Și totuși, nu deznădăjduim!” [„And Yet, We Do Not Despair!”] and many more. This unique issue was illustrated with numerous images from Bessarabia and Northern Bukovina, as well as with portraits of cultural personalities born in the Romanian land between the Prut and Dniester rivers, all meant to discuss and emphasize the national identity of Romanians through culture.","PeriodicalId":518989,"journal":{"name":"Studiul artelor şi culturologie: istorie, teorie, practică","volume":"128 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140529353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-01DOI: 10.55383/amtap.2023.1.19
Tatiana Uvarova, Oksana Gosteva, Svitlana Pohasiy
This article updates the problem of cultural studies as a specific field of humanitarian knowledge. It has been stated that, with a certain similarity in the understanding of the ontology of culture (and in relation to the general boundaries of the problem field of humanitarian knowledge), the knowledge about various aspects of the cultural life of man and society is separated by the existing boundaries of the scientific competence of various social and human sciences, which contradicts the process of understanding the integrity of the cultural phenomenon itself. Cultural studies, learning culture as a whole, already by virtue of this circumstance cannot be a humanitarian science „among others”. This circumstance complicates the process of self-determination of cultural studies as an independent science (including the reflection of its method). Despite the fact that the emphasis on cultural studies as a specific area of theoretical knowledge is recognized by the Humanities, however, the problem of identifying the scientific method, which is associated with the final legitimization of this field of knowledge of culture, has not been sufficiently convincing yet. It is concluded that the Humanities are in dire need of rigor and improvement of their scientific status. With the exception of the descriptive part in these sciences, everything else remains the opinion of individual authors.
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Pub Date : 2024-02-01DOI: 10.55383/amtap.2023.1.04
O. Oleksiuk
The article „Prolegomena about the cluster-network model organization of the educational system in the musical academies of Ukraine” discusses the complexity of higher musical education and the need for new scientific approaches to address the changing pedagogical reality. The authors propose a cluster-network model for organizing the educational system in musical academies, which is based on the following components: conceptual – tasks, methods, forms, means; axiological– values; psychological and pedagogical – mechanisms of learning values; organizational and management – management of elements of the educational structure. The cluster-network model aims to increase the competitiveness of the educational system by developing the students’ competencies that meet the requirements of the social order. It also emphasizes the importance of spirituality in education and the need for a holistic approach to human development. The authors argue that the ideal of human education is constantly changing, but the ability to correlate the concepts, ideas, and theories acquired during cognitive activity with an individual value system is a key indicator of successful education. The article highlights the importance of understanding the inner class and spiritual being of a person, as well as the need to implement some methods that contribute to penetrating into the phenomenological secrets of human consciousness for researching and revealing the most important mental structures of man. It also discusses the role of dialogue as a way of existing and coexisting- with the „other” in the communication process. The proposed model aims to address the challenges of the postmodern era, where the world is thought of as an open text not limited in its manifestations and interpretations. It emphasizes the importance of continuous education and the integration of knowledge from related disciplines to develop digital education and innovative work practices.
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Pub Date : 2024-02-01DOI: 10.55383/amtap.2023.1.02
Nataliya Svyrydenko
The article examines the period of European culture associated with the formation of the Viennese Classical School in Austria. The transition of music from the baroque to the classical style in the second half of the 18th century was marked by the work of some composers, whose works received various names of stylistic movements, such as “Storm and Wind”, or names specific to the style of orientation of these movements – gallant, sentimental or mixed. A special place in the constellation of composers from this period belongs to Leopold Kozeluch (1747-1818), Czech by origin, who received a selected education in Prague and Vienna, being a student of F. Dušek and A. Salieri. Later, Leopold Kozeluchva occupied a place of honor in Austrian musical culture. Among the numerous works for harpsichord and other instruments signed by Leopold Kozeluch, the Three Sonatas dedicated to Princess Liechtenstein are of particular interest, due not only to the musical material of the sonatas themselves, which reproduce the solemn theme of J. Brahms’ work, but also, directly, to the person to whom they are dedicated – the Princess of Liechtenstein. The Three Sonatas in three movements can form an integral cycle, determined by the internal logic of the unfolding of the events, but they can also be interpreted separately, undoubtedly representing significant individual artistic values.
文章探讨了与奥地利维也纳古典乐派形成相关的欧洲文化时期。18 世纪下半叶，一些作曲家的作品标志着音乐从巴洛克风格向古典风格的过渡，这些作曲家的作品被冠以各种风格运动的名称，如 "风暴与狂风"，或根据这些运动的风格取名--英勇、感伤或混合。利奥波德-科泽鲁克（1747-1818 年）在这一时期的作曲家群中占有特殊地位，他原籍捷克，曾在布拉格和维也纳接受精选教育，是 F. Dušek 和 A. Salieri 的学生。后来，利奥波德-科泽卢赫瓦在奥地利音乐文化中占据了一席之地。在利奥波德-科泽卢赫署名的众多大键琴和其他乐器作品中，《献给列支敦士登公主的三首奏鸣曲》尤为引人关注，这不仅是因为奏鸣曲本身的音乐素材再现了 J. 勃拉姆斯作品的庄严主题，还因为它直接献给了它的主人公--列支敦士登公主。三个乐章的三首奏鸣曲可以构成一个完整的周期，由事件发展的内在逻辑决定，但它们也可以单独解读，无疑代表了重要的个人艺术价值。
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Pub Date : 2024-02-01DOI: 10.55383/amtap.2023.1.17
Andrei Prohin
According to Romanian folk beliefs, the soil suffers when man ploughs it. After the first humans had traced furrows, the soil shed blood and started to shout. To ease its pain, it is recommended to refrain from working at noon and at night, because the earth needs rest, like humans. This folkloric motif has known several interpretations in the Romanian ethnology. Specialists considered it, successively, as an expression of animism, a poetic image, a proof of deep respect for nature, an illustration of the sacred violence committed by the ploughman, etc. The motif of the pain of the soil has a special value nowadays when we confront a serious ecological crisis. Traditional wisdom, thus, offers us an impulse to reflect and reconsider our behaviour towards the environment.
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Pub Date : 2024-01-01DOI: 10.55383/amtap.2023.1.15
Ludmila Lazarev
The role of culture in the process of Europeanization and supporting the formation of a European identity and a cohesive society has been emphasized by the European institutions since the 2000s. Today, the cultural policies of the EU aim to use culture as a source of soft power to enhance the degree of awareness of the European identity. The New European agenda for culture, the Creative Europe program, through the projects it assists, contributes to strengthening the European identity, providing support for the cultural and creative sectors in line with the priorities of the European Commission for a greener, more digital and more resilient Europe, for European democracy and the promotion of the European way of life. The objective of the European integration of the Republic of Moldova implies the support and implementation of the European cultural policies as a crucial element of strengthening social cohesion for the development of the sense of belonging to the European identity.
{"title":"Culture as a tool for strengthening European identity","authors":"Ludmila Lazarev","doi":"10.55383/amtap.2023.1.15","DOIUrl":"https://doi.org/10.55383/amtap.2023.1.15","url":null,"abstract":"The role of culture in the process of Europeanization and supporting the formation of a European identity and a cohesive society has been emphasized by the European institutions since the 2000s. Today, the cultural policies of the EU aim to use culture as a source of soft power to enhance the degree of awareness of the European identity. The New European agenda for culture, the Creative Europe program, through the projects it assists, contributes to strengthening the European identity, providing support for the cultural and creative sectors in line with the priorities of the European Commission for a greener, more digital and more resilient Europe, for European democracy and the promotion of the European way of life. The objective of the European integration of the Republic of Moldova implies the support and implementation of the European cultural policies as a crucial element of strengthening social cohesion for the development of the sense of belonging to the European identity.","PeriodicalId":518989,"journal":{"name":"Studiul artelor şi culturologie: istorie, teorie, practică","volume":"50 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140532670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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