Alyson Miller, Cassandra Atherton, Paul Hetherington
{"title":"Dark Poetry and the Anti-Elegiac: Approaching the Unspeakable","authors":"Alyson Miller, Cassandra Atherton, Paul Hetherington","doi":"10.1353/lit.2024.a924344","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>Dark Tourism is a term associated with pilgrimages to places associated with the famous dead. \"Dark Poetry\" attempts to imagine, explore, or reanimate a dark event. Using Charles Reznikoff's Holocaust poetry and Mariko Nagai's collection, <i>Irradiated Cities</i> (2017) as examples, we discuss dark poetry's use of an anti-elegiac mode, which focuses on historical particularities in refashioning and problematizing dark events while employing numerous gaps and fragmentations. This poetry, often written by second-generation and non-survivor poets, approaches notions of the ineffable while providing an important bridge between incomprehensible events and the human imagination, and challenging language's capacity to comprehend the \"unspeakable.\"</p></p>","PeriodicalId":44728,"journal":{"name":"COLLEGE LITERATURE","volume":"254 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"COLLEGE LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/lit.2024.a924344","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:
Dark Tourism is a term associated with pilgrimages to places associated with the famous dead. "Dark Poetry" attempts to imagine, explore, or reanimate a dark event. Using Charles Reznikoff's Holocaust poetry and Mariko Nagai's collection, Irradiated Cities (2017) as examples, we discuss dark poetry's use of an anti-elegiac mode, which focuses on historical particularities in refashioning and problematizing dark events while employing numerous gaps and fragmentations. This poetry, often written by second-generation and non-survivor poets, approaches notions of the ineffable while providing an important bridge between incomprehensible events and the human imagination, and challenging language's capacity to comprehend the "unspeakable."