Difficult past, cultural trauma and national identity: The commemorations of the Armenian Genocide in Istanbul

IF 0.4 Q4 ETHNIC STUDIES Studies in Ethnicity and Nationalism Pub Date : 2024-04-19 DOI:10.1111/sena.12424
Fabio Salomoni
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Abstract

In Turkey, for at least three decades, a plurality of actors has been producing counter narratives of the Armenian Genocide. These have challenged the official discourse, revealing the old taboo that underpinned the national republican identity and reconceiving it as a contested history that interrogates the country's democratic status. Here, it is argued that this recent history of counter narratives has constituted a trauma process aimed at transforming public memory and national identity. In particular, various commemoration ceremonies were held in Istanbul between 2005 and 2023, with counter ceremonies and a revised official narrative expressed through ceremony that was developed in response. Given that these commemorations occupy a marginal space in the literature on the Armenian question and the Genocide, the first aim of this article is to reconstruct them through the perspective of cultural performance. Then, it is argued that the commemorations not only have an opaque status in the cultural trauma literature but also contribute to the trauma process through their creation of specific trauma narratives of the Genocide. Finally, the paper uses the example of commemorative performances in Istanbul to contribute to the debate on the reasons for the success or failure of a trauma process. Methodologically, an analysis of journal archives and materials produced by carrier groups is extended by ten in‐depth interviews and notes taken during participant observation in Istanbul between 2010 and 2022.
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艰难的过去、文化创伤和民族认同:伊斯坦布尔的亚美尼亚种族灭绝纪念活动
在土耳其,至少三十年来,多个行动者一直在对亚美尼亚种族灭绝进行反叙述。这些叙事对官方话语提出了挑战,揭示了支撑民族共和身份的古老禁忌,并将其重新视为一段有争议的历史,对国家的民主地位提出了质疑。本文认为,最近的反叙事历史构成了一个旨在改变公众记忆和国家认同的创伤过程。特别是,2005 年至 2023 年期间,伊斯坦布尔举行了各种纪念仪式,通过仪式表达的反仪式和经修订的官方叙事是对此的回应。鉴于这些纪念活动在有关亚美尼亚问题和种族灭绝的文献中处于边缘地位,本文的首要目的是通过文化表演的视角对其进行重构。然后,本文论证了这些纪念活动不仅在文化创伤文献中处于不透明的地位,而且还通过创造种族灭绝的特定创伤叙事,促进了创伤过程。最后,本文以伊斯坦布尔的纪念表演为例,对创伤过程成败的原因进行了讨论。在方法论上,通过 2010 年至 2022 年期间在伊斯坦布尔进行的十次深入访谈和参与观察期间所做的笔记,对期刊档案和载体团体制作的材料进行了分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.60
自引率
0.00%
发文量
18
期刊介绍: Studies in Ethnicity and Nationalism (SEN) is a fully refereed journal publishing three issues per volume on ethnicity, race and nationalism. The sources and nature of ethnic identity, minority rights, migration and identity politics remain central and recurring themes of the modern world. The journal approaches the complexity of these questions from a contemporary perspective. The journal''s sole purpose is to showcase exceptional articles from up-and-coming scholars across the world, as well as concerned professionals and practitioners in government, law, NGOs and media, making it one of the first journals to provide an interdisciplinary forum for established and younger scholars alike. The journal is strictly non-partisan and does not subscribe to any particular viewpoints or perspective. All articles are fully peer-reviewed by scholars who are specialists in their respective fields. Studies in Ethnicity and Nationalism publishes high quality contributions based on the latest scholarship drawing on political science, sociology, anthropology, economics, international relations, history and cultural studies. It welcomes contributions that address contemporary questions of ethnicity, race and nationalism across the globe and disciplines. In addition to short research articles, each issue introduces the latest publications in this field, as well as cutting edge review articles of topical and scholarly debates in this field. The journal also publishes regular special issues on themes of contemporary relevance, as well as the conference issue of the annual conference of the Association for the Study of Ethnicity and Nationalism (ASEN).
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