{"title":"DisOrientations: Thinking through Lines of Desire in the Visual Artwork of Jordache A. Ellapen","authors":"Sharlene Khan","doi":"10.1080/00043389.2024.2311958","DOIUrl":null,"url":null,"abstract":"This article examines the artwork series Queering the Archive: Brown Bodies in Ecstasy (2011–2016) by South African Indian film studies scholar Jordache A. Ellapen. Ellapen’s work stages intimate p...","PeriodicalId":40908,"journal":{"name":"De Arte","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"De Arte","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00043389.2024.2311958","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
This article examines the artwork series Queering the Archive: Brown Bodies in Ecstasy (2011–2016) by South African Indian film studies scholar Jordache A. Ellapen. Ellapen’s work stages intimate p...
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