Culture and Creativity Take Center Stage in the EU: How We Got to the EIT-KIC, and What Lies Ahead

Diid Pub Date : 2024-04-22 DOI:10.30682/diid8123a
Pier Luigi Sacco
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Abstract

The foundation for the EIT-KIC Culture and Creativity was laid in many steps, through a series of EU policy developments. Moving from the seminal report on The Economy of Culture promoted by the acting European Commissioner for Culture Jan Figel in 2006, we have witnessed a gradual development of the idea that cultural and creative sectors are a main driver of socio-economic development in Europe. This trajectory can be reconstructed in the sequence of the Work Plans for Culture that have spanned the last decade and in a few milestones such as the European Year of Cultural Heritage 2018 and its major legacies, the European Framework for Action on Cultural Heritage and the New European Agenda for Culture. Let’s briefly consider how all such components have been instrumental to the birth of the EIT-KIC Culture and Creativity, and how an understanding of such process is still fundamental today to fully appreciate the potential and criticalities of this new, ambitious endeavor.
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文化与创意在欧盟占据中心位置:我们是如何进入 EIT-KIC 的?
EIT-KIC 文化与创意中心的基础是通过一系列欧盟政策发展分步奠定的。从 2006 年欧盟代理文化专员扬-菲戈尔(Jan Figel)提出《文化经济》的开创性报告开始,我们目睹了文化和创意产业是欧洲社会经济发展的主要驱动力这一理念的逐步发展。这一发展轨迹可以从过去十年间的一系列文化工作计划,以及 2018 欧洲文化遗产年及其主要遗产、《欧洲文化遗产行动框架》和《欧洲文化新议程》等一些里程碑事件中得到重构。让我们简要地思考一下,所有这些组成部分是如何对 EIT-KIC 文化与创意中心的诞生起到推动作用的,以及对这一进程的理解是如何在今天对充分认识这一雄心勃勃的新事业的潜力和关键性起到根本性作用的。
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