Language Creativity in Presenting Hindu Religion Material

Wayan Jatiyasa, Ni Kadek Juliantari
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Abstract

Teachers are required to be creative in packaging learning activities in various ways. One of the creativity carried out by prospective teaching students is modifying familiar songs into songs containing learning material about Hindu religion. Therefore, it is important to conduct this research to describe language creativity in presenting Hindu religious material and the obstacles faced in modifying songs. Creativity in presenting material is very important in order to achieve effective communication in learning activities. This research is classified as qualitative research with an empirical approach. This research was carried out by collecting a number of songs containing Hindu Religious Education material developed by students of the Pendidikan Agama Hindu Study Program, STKIP Agama Hindu Amlapura in classroom management practices and interviewing students regarding the difficulties or obstacles experienced when being creative in modifying songs so that they contain Hindu religious material.  The results of this research show that there are several songs that students tend to create and modify in classroom management, namely children's songs whose rhythms are very familiar, such as the songs Balonku, Pelangi-Pelangi, Lihat kebunku, Naik Becak, Satu-Satu Aku sayang Ibu. From the rhythm of these songs, they were modified into songs containing Hindu religious material, namely Panca Yadnya, Panca Sraddha, Tri Pramana, Three Basic Frameworks of Hindu Religion, Tri Kaya Parisudha, Holy Books and Holy Places Hindu religion. When carrying out this creativity, students also experience various difficulties or obstacles, such as using diction, adjusting rhythm, packaging material, and limitations for complex material.
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呈现印度教宗教材料的语言创造力
要求教师以各种方式创造性地包装学习活动。准教师学生的创造力之一就是将熟悉的歌曲改编成包含印度教学习材料的歌曲。因此,有必要开展这项研究,以描述在呈现印度教宗教材料时的语言创造力,以及在修改歌曲时所面临的障碍。为了在学习活动中实现有效交流,创造性地呈现材料非常重要。本研究属于实证方法的定性研究。本研究通过收集印度教学习课程(STKIP Agama Hindu Amlapura)的学生在课堂管理实践中创作的一些包含印度教宗教教育材料的歌曲,并就学生在创造性地修改歌曲以包含印度教宗教材料时遇到的困难或障碍进行访谈。 研究结果表明,在课堂管理中,有几首歌曲是学生们倾向于创作和修改的,即节奏非常熟悉的儿童歌曲,如《Balonku》、《Pelangi-Pelangi》、《Lihat kebunku》、《Naik Becak》、《Satu-Satu Aku sayang Ibu》等歌曲。根据这些歌曲的节奏,将它们改编成包含印度教内容的歌曲,即《Panca Yadnya》、《Panca Sraddha》、《Tri Pramana》、《印度教的三个基本框架》、《Tri Kaya Parisudha》、《印度教的圣书和圣地》。在进行创作时,学生们也会遇到各种困难或障碍,如使用措辞、调整节奏、包装素材以及复杂素材的限制等。
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