(CON) TEXTUALISING GOND ART AND PAINTINGS FOR LIFE WRITING AND INDIAN GRAPHIC NARRATIVE: REFERENCE TO BHIMAYANA: EXPERIENCES OF UNTOUCHABILITY

Sushil Sarkar
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Abstract

The pictorial Gond style of artwork has its roots in the tribal Gond art tradition adopted for narrativising fiction Bhimayana: Experiences of Untouchability (2012), life writings of Bhimrao Ramji Ambedkar. The Pradhan Gond artists Subhash Vyam and Durgabai Vyam interweave historical events with contemporary incidents using the Digna pattern of the Gond style visualising the stories with immense nuances and dynamics. The novel Bhimayana adopted Gond art to visualise and narrate the life of Ambedkar in a new way of seeing and corresponding to post-millennial trends in visual culture and comical creativity. This graphic novel Bhimayana is named after the hero for the comic version of the graphic narrative, sorrowful and miserable accounts of Bhimrao Ramji Ambedkar. The tribal Gond art and paintings had been contextualised in this fiction for interweaving the plot by bringing back story telling, symbolism, animal imageries, colours, patterns, figurative elements, and sequence of images etc. to constitute the novel, a narrative of comic and graphic strips. This paper will emphasise how this graphic novel Bhimayana juxtaposes past, present and future spatially on the page, linearly emphasising personal and historical modes while positioning itself on the high-brow of the literary canon of life narrative and Indian comics.
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(con) 将贡德艺术和绘画文本化,用于生活写作和印度图画叙事:参考 Bhimayana:贱民经历
贡德的绘画艺术风格源于贡德部落的艺术传统,用于叙述小说《比马亚纳》(Bhimayana):在《Bhimayana:贱民的经历》(2012 年)中,采用了比姆拉奥-拉姆吉-安贝德卡尔的生平著作。普拉丹贡德艺术家苏巴什-维亚姆和杜尔加拜-维亚姆采用贡德风格的迪格纳模式,将历史事件与当代事件交织在一起,使故事形象化,具有巨大的细微差别和活力。小说《Bhimayana》采用了贡德艺术,以一种新的视角和方式形象地描述和叙述了安贝德卡的一生,符合视觉文化和喜剧创作的后千禧年趋势。这本图画小说《Bhimayana》以主人公的名字命名,以漫画的形式讲述了比姆拉奥-拉姆吉-安贝德卡悲惨的一生。在这部小说中,部族贡德艺术和绘画被融入到故事情节的交织中,将故事叙述、象征主义、动物形象、色彩、图案、具象元素和图像序列等重新带回小说中,从而构成了这部漫画和图画长条叙事小说。本文将强调这部图画小说《Bhimayana》如何在页面上将过去、现在和未来进行空间并置,线性地强调个人和历史模式,同时将自己定位在生活叙事和印度漫画的高雅文学典范上。
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