WHY THEATRE? PERSPECTIVES FROM INDIAN THEATRE ARTISTES IN THE CONTEXT OF NĀṬYAŚĀSTRA

Vishakha Rajurkar Raj, Dev Vrat Singh
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Abstract

Nāṭyaśāstra is an Indian ancient Sanskrit text on dramaturgy written by Āchārya Bhartmuni in the 5th century. The story of the origin, development, and evolution of Nāṭyaśāstra is described in the very first chapter of the text. It also reveals the emergence of theatre practice. According to Nāṭyaśāstra, theatre serves the purpose of entertaining as well as educating its audiences. This paper aims to examine the contemporary theatre practice on the principle of Nāṭyaśāstra in this context. The objective of the present research paper is to study the motivation, inspiration, and purpose of contemporary theatre practitioners under the light of the purpose of theatre according to Nāṭyaśāstra.The present research is qualitative. The methodology employed for data collection is the interview of 46 theatre practitioners using semi-structured interviews. The data has been collected from prominent theatre festivals held in five different North Indian cities namely Delhi, Bhopal, Jaipur, Lucknow, and Patna. The analysis of the interviews is done using thematic analysis.The findings of the research show that contemporary theatre practitioners have personal aspirations as well as social obligations to practising theatre. Contemporary theatre practitioners also believe that theatre is a medium of entertainment as well as sensitizing people which aligns with the principle of Nāṭyaśāstra.
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为什么是戏剧?从印度戏剧艺术家的角度看印度戏剧的发展
Nāṭyaśāstra》是一部关于戏剧的印度古代梵文典籍,由Āchārya Bhartmuni 撰写于公元 5 世纪。在该书的第一章中,描述了 "那提亚史特拉 "的起源、发展和演变的故事。它还揭示了戏剧实践的出现。根据《那跋陀罗经》,戏剧的目的是娱乐和教育观众。本文旨在研究在此背景下以 Nāṭyaśāstra 原则为基础的当代戏剧实践。本研究论文的目的是根据 Nāṭyaśāstra 的戏剧目的研究当代戏剧从业者的动机、灵感和目的。数据收集采用的方法是通过半结构式访谈对 46 位戏剧从业者进行访谈。数据是从五个不同的北印度城市(德里、博帕尔、斋浦尔、勒克瑙和巴特那)举办的著名戏剧节中收集的。研究结果表明,当代戏剧从业者既有个人愿望,也有从事戏剧的社会义务。当代戏剧从业者还认为,戏剧既是一种娱乐媒介,也能提高人们的认识,这与 Nāṭyaśāstra 的原则是一致的。
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