The edges of humanism of the Renaissance in the mid-13th – the mid-16th century: Part 1

Pan-Art Pub Date : 2024-04-04 DOI:10.30853/pa20240011
A. Demchenko
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Abstract

The essay is dedicated to exploring the art and culture of the Renaissance period, heralding Modern times, spanning from the mid-13th to the mid-16th century. This part of the work highlights the artistic achievements of the Middle East during the specified period, particularly in architecture, poetry (including the rise of humanism). Turning to European culture, the author specifically addresses the art of the Orthodox world (primarily focusing on church painting and, to a lesser extent, on the Ancient Russian Znamenny chant), noting its influence on the currents of the Renaissance. The author delves into the Gothic style, somewhat contrasting traditional notions of the Renaissance period (a kind of “counterculture”), across its various manifestations in visual arts, music and literature. Special attention is given to the central part of Renaissance art, tracing its evolution from the Early Renaissance (masterpieces of sculpture in Gothic cathedrals) to the Proto-Renaissance (paintings and frescoes by Italian masters, the emergence of psychologism in painting, the literary movement of Dolce stile nuovо marking the transition from the Middle Ages to Modern times, Ars Nova in musical art). The exploration of this theme will continue in the next part of the essay.
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13 世纪中叶至 16 世纪中叶文艺复兴时期人文主义的边缘:第一部分
这篇文章专门探讨文艺复兴时期的艺术和文化,它预示着现代,时间跨度从 13 世纪中叶到 16 世纪中叶。这部分内容重点介绍了中东地区在这一时期取得的艺术成就,尤其是在建筑、诗歌(包括人文主义的兴起)方面。在谈到欧洲文化时,作者特别论述了东正教世界的艺术(主要侧重于教堂绘画,其次是古俄罗斯兹纳曼尼圣歌),并指出其对文艺复兴潮流的影响。作者深入研究了哥特式风格,在一定程度上对比了文艺复兴时期的传统观念(一种 "反文化")及其在视觉艺术、音乐和文学中的各种表现形式。特别关注文艺复兴艺术的核心部分,追溯其从早期文艺复兴(哥特式大教堂的雕塑杰作)到原文艺复兴(意大利大师的绘画和壁画、绘画中心理主义的出现、标志着从中世纪向现代过渡的 Dolce stile nuovо文学运动、音乐艺术中的 Ars Nova)的演变过程。下一部分将继续探讨这一主题。
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