(Re)Framing Madame X: Art, Narrative, and the Ethics of Neo‑Victorian Revivification

Q1 Arts and Humanities a/b: Auto/Biography Studies Pub Date : 2024-04-04 DOI:10.1080/08989575.2024.2330956
Kate Mitchell, Kathryne Ford
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(重新)塑造 X 夫人:艺术、叙事和新维多利亚时代复兴的伦理学
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来源期刊
a/b: Auto/Biography Studies
a/b: Auto/Biography Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
自引率
0.00%
发文量
27
期刊介绍: a /b: Auto/Biography Studies enjoys an international reputation for publishing the highest level of peer-reviewed scholarship in the fields of autobiography, biography, life narrative, and identity studies. a/b draws from a diverse community of global scholars to publish essays that further the scholarly discourse on historic and contemporary auto/biographical narratives. For over thirty years, the journal has pushed ongoing conversations in the field in new directions and charted an innovative path into interdisciplinary and multimodal narrative analysis. The journal accepts submissions of scholarly essays, review essays, and book reviews of critical and theoretical texts as well as proposals for special issues and essay clusters. Submissions are subject to initial appraisal by the editors, and, if found suitable for further consideration, to independent, anonymous peer review.
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(Dis)Composed Dwelling: Writing Ruins of Disaster (Re)Framing Madame X: Art, Narrative, and the Ethics of Neo‑Victorian Revivification Life Writing at the Crossroads: Autobiographical Theory and Practice in Poland Life Writing at the Crossroads: Autobiographical Theory and Practice in Poland Familiar Stranger: Double Self-Portraiture in the Art of Howard Finster
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