Facing cancer: metaphors in medical animation films

IF 1.2 2区 文学 Q3 COMMUNICATION Visual Communication Pub Date : 2024-05-06 DOI:10.1177/14703572241229061
Nina Gebraad, Charles Forceville
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Abstract

Conceptual Metaphor Theory claims that metaphors are a key instrument for making abstract and complex phenomena comprehensible. Cancer, one of the deadliest diseases in the world, is one such complex phenomenon. Hitherto, metaphors pertaining to the nature and treatment of cancer, and to coping with it, have been analysed almost exclusively in verbal communication. Cancer metaphors, however, are also often audio-visualized in animations. In this article, the authors analyse the metaphors in 30 short medical animation films. Their purpose is twofold: (1) to assess whether these animations feature the same metaphors as those prevailing in the verbal texts analysed in earlier research; and (2) to show how animation provides medium-specific ways to present metaphors related to ‘dealing with cancer’. They end the article with reflections on challenges with respect to the identification and categorization of metaphors in animated films to help future researchers, and with some cautious recommendations for possible practical uses of understanding cancer metaphors in animations.
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直面癌症:医学动画电影中的隐喻
概念隐喻理论(Conceptual Metaphor Theory)认为,隐喻是使抽象而复杂的现象变得通俗易懂的重要工具。癌症作为世界上最致命的疾病之一,就是这样一种复杂的现象。迄今为止,有关癌症的性质和治疗以及应对癌症的隐喻几乎都是在口头交流中进行分析的。然而,癌症隐喻也经常在动画中被视听化。在本文中,作者分析了 30 部医学动画短片中的隐喻。他们的目的有两个:(1) 评估这些动画中的隐喻是否与早期研究中分析的口头文本中的隐喻相同;(2) 展示动画如何提供特定的媒介方式来呈现与 "应对癌症 "相关的隐喻。文章最后,他们对动画电影中隐喻的识别和分类所面临的挑战进行了反思,以帮助未来的研究人员,并对理解动画中的癌症隐喻可能的实际用途提出了一些谨慎的建议。
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来源期刊
Visual Communication
Visual Communication COMMUNICATION-
CiteScore
3.40
自引率
13.30%
发文量
45
期刊介绍: Visual Communication provides an international forum for the growing body of work in numerous interrelated disciplines. Its broad coverage includes: still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; the role of the visual in relation to language, music, sound and action.
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