The things they are a-changin': reinventing daily objects during the chilean 2019 revolt

IF 1.2 2区 文学 Q3 COMMUNICATION Visual Communication Pub Date : 2024-08-24 DOI:10.1177/14703572231197789
Ricardo Greene, Tomas Errazuriz
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Abstract

In October 2019, fuelled by a collective discontent with the lifestyles and inequalities generated by the capitalist model, social protests took place in the Chilean streets. People staged massive demonstrations in every city demanding profound changes to the system. Known as the ‘Estallido Social’ (Social Explosion), the demonstrations paralysed an important part of the country and, after a few weeks of revolt, managed to initiate a new Constitution-making process. These events triggered a process in which the country was re-imagined, subjectivities were rewritten and objects and the environment were heavily transformed. This study places its focus on a set of industrially produced objects, whose original functions were subverted in the streets to enable new uses and meanings aligned with the Social Explosion. Kitchen items such as pots and ladles were used to make a lot of noise; road signs and pieces of urban furniture were re-located to block the streets; and gas cylinders and oil drums were reshaped for protection against police forces. While specialized literature generally seeks to recognize the new social forms and models that emerge from the crisis, this essay aims to reflect on the ways in which the relationship with the everyday environment is transformed in the midst of a social crisis, and how operations of resignification and reinterpretation may also be necessary to bring about more profound changes. As such, this study aims to characterize these operations of mutation (of bending, crumpling, scratching, wetting, moving, cutting, twisting, hitting, breaking, cracking, tricking, whipping, throwing, crushing, dragging, drilling and burning), and from there to move towards elucidating the practical and symbolic repercussions that this new material reality has had on the social body and daily life.
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物是人非:智利 2019 年叛乱期间的日常用品再创造
2019 年 10 月,由于对资本主义模式造成的生活方式和不平等现象的集体不满,智利街头发生了社会抗议活动。人们在每个城市都举行了大规模示威游行,要求对体制进行深刻变革。被称为 "社会大爆炸"(Estallido Social)的示威活动使智利大部分地区陷入瘫痪,并在几周的反抗之后成功启动了新宪法的制定进程。这些事件引发了一个进程,在这个进程中,国家被重新想象,主体性被改写,物体和环境发生了巨大变化。本研究将重点放在一系列工业生产的物品上,这些物品的原有功能在街头被颠覆,以实现与社会大爆炸相一致的新用途和新意义。锅和勺子等厨房用品被用来制造巨大的噪音;路标和城市家具被重新放置以阻挡街道;煤气罐和油桶被重新塑造以抵御警察部队。专业文献通常试图认识危机中出现的新的社会形态和模式,而本文则旨在反思在社会危机中如何改变与日常环境的关系,以及如何通过重新定义和重新诠释来带来更深刻的变化。因此,本研究旨在描述这些变异操作(弯曲、揉碎、刮擦、浸湿、移动、切割、扭曲、撞击、折断、破裂、欺骗、鞭打、投掷、粉碎、拖拽、钻孔和燃烧)的特点,并进而阐明这种新的物质现实对社会身体和日常生活产生的实际和象征性影响。
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来源期刊
Visual Communication
Visual Communication COMMUNICATION-
CiteScore
3.40
自引率
13.30%
发文量
45
期刊介绍: Visual Communication provides an international forum for the growing body of work in numerous interrelated disciplines. Its broad coverage includes: still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; the role of the visual in relation to language, music, sound and action.
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