Cultivating meaning and self-transcendence to increase positive emotions and decrease anxiety in music performance

IF 1.6 3区 心理学 0 MUSIC Psychology of Music Pub Date : 2024-05-10 DOI:10.1177/03057356241246052
Elsa Perdomo-Guevara, Nicola Dibben
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Abstract

This article presents the findings of an intervention aimed at promoting positive emotions in music performance, as positive emotions are intrinsically valuable and can have associated benefits. The intervention sought to help participants conceive performance in more meaningful, self-transcendent terms. This study investigated whether the intervention helped performers to change their approach to performance; whether an increase in meaningfulness and self-transcendence led to more positive performance-related emotions; and whether an increase in positive emotions resulted in higher perceived quality of the performance. Comparison of self-report measures pre- and post-intervention indicated that after the intervention, participants approached performance in a more meaningful, self-transcendent manner. Specifically, they were more focused on the value of music, privilege of performing, and benefits for the audience. They also reported more rewarding performance experiences: they reported more joy, engagement, and self-confidence; more inspiration and connection with their audiences; and less anxiety. In addition, they reported being able to give better performances. None of these changes were found with a randomly assigned wait list control group. We conclude that an intervention designed to change performers’ conceptions of the meaningfulness of performing can have beneficial impacts on the quality of that experience.
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培养意义和自我超越,在音乐表演中增加积极情绪并减少焦虑
本文介绍了一项旨在促进音乐表演中积极情绪的干预措施的研究结果,因为积极情绪具有内在价值,并能带来相关益处。干预措施旨在帮助参与者以更有意义、更能超越自我的方式看待表演。本研究调查了干预措施是否有助于表演者改变他们的表演方式;有意义性和自我超越性的提高是否会带来更多与表演相关的积极情绪;以及积极情绪的提高是否会带来更高的表演质量感知。对干预前后自我报告测量结果的比较表明,干预后,参与者以更有意义、更超越自我的方式对待表演。具体来说,他们更加关注音乐的价值、表演的特权和观众的收益。他们还报告了更有收获的表演体验:他们报告了更多的快乐、参与和自信;更多的灵感和与观众的联系;以及更少的焦虑。此外,他们还表示能够进行更好的表演。而随机分配的候补对照组则没有发现这些变化。我们得出的结论是,旨在改变表演者对表演意义的观念的干预措施会对表演体验的质量产生有益的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
4.00
自引率
17.60%
发文量
88
期刊介绍: Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.
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