{"title":"Friction in the Netflix machine: How screen workers interact with streaming data","authors":"Nina Vindum Rasmussen","doi":"10.1177/14614448241250029","DOIUrl":null,"url":null,"abstract":"Data-driven streamers like Netflix and Amazon Prime Video have expanded into the European screen landscape with a significant appetite for locally produced content. These players leverage advanced data analytics to gain deep customer insights, but they prefer to keep a lid on their algorithmic operations. This article examines how screen workers interact with streaming data despite widespread secrecy. Drawing on interviews and an interface ethnography, I explore the ways these workers access, sense, generate and resist streaming data throughout their creative process. As such, the article provides a framework for understanding the subtle and sometimes contradictory ways that screen workers engage with such data practices. I also demonstrate how researchers can circumvent and lower barriers to access in an industry marked by data secrecy. As a result, this article contributes to discussions about the datafication of cultural production, and it does so with novel insights from the European screen context.","PeriodicalId":19149,"journal":{"name":"New Media & Society","volume":"26 1","pages":""},"PeriodicalIF":4.5000,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Media & Society","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/14614448241250029","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
Data-driven streamers like Netflix and Amazon Prime Video have expanded into the European screen landscape with a significant appetite for locally produced content. These players leverage advanced data analytics to gain deep customer insights, but they prefer to keep a lid on their algorithmic operations. This article examines how screen workers interact with streaming data despite widespread secrecy. Drawing on interviews and an interface ethnography, I explore the ways these workers access, sense, generate and resist streaming data throughout their creative process. As such, the article provides a framework for understanding the subtle and sometimes contradictory ways that screen workers engage with such data practices. I also demonstrate how researchers can circumvent and lower barriers to access in an industry marked by data secrecy. As a result, this article contributes to discussions about the datafication of cultural production, and it does so with novel insights from the European screen context.
Netflix 和亚马逊 Prime Video 等以数据为导向的流媒体公司已经进军欧洲屏幕市场,对本地制作的内容有着极大的需求。这些公司利用先进的数据分析技术深入洞察客户,但他们更愿意对算法操作保密。本文探讨了在普遍保密的情况下,屏幕工作人员如何与流媒体数据互动。通过访谈和界面人种学研究,我探讨了这些工作者在整个创作过程中获取、感知、生成和抵制流媒体数据的方式。因此,这篇文章提供了一个框架,用于理解银幕工作者参与此类数据实践的微妙方式,有时甚至是相互矛盾的方式。我还展示了研究人员如何在这个以数据保密为特点的行业中规避和降低获取数据的障碍。因此,本文为有关文化生产数据化的讨论做出了贡献,并从欧洲银幕语境中提出了新颖的见解。
期刊介绍:
New Media & Society engages in critical discussions of the key issues arising from the scale and speed of new media development, drawing on a wide range of disciplinary perspectives and on both theoretical and empirical research. The journal includes contributions on: -the individual and the social, the cultural and the political dimensions of new media -the global and local dimensions of the relationship between media and social change -contemporary as well as historical developments -the implications and impacts of, as well as the determinants and obstacles to, media change the relationship between theory, policy and practice.