SHIVARAPATNA STONE CRAFT IN KARNATAKA - EXPLORING THE TRANSFORMATIVE ROLE OF INNOVATION IN TRADITIONAL HANDICRAFT AND CULTURAL IDENTITY

Tanima Chanda, Aneesha Sharma
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Abstract

Handicraft sector is one of the most sustainable product sectors, because of the consumption of untreated raw materials received unswervingly from the nature. In many developing countries like India, there are a large number of livelihoods depending on handicraft business with an anticipated 17.79 million artisans associated with the sector in the year 2022. The previous studies indicate the relation between the handicrafts and innovation is both controversial and imperative. It is suggested that the sector must undergo incremental innovation for growth and survival in the present times. On contrary there are studies which dispute, considering cultural traditions as barriers to innovation. Innovation may be introduced in the technologies aiding to create the craft. While bringing innovation within the craft techniques and product creation might hinder its cultural identity. Innovation being one of the prime keyword of the 9th goal of the SDGs, the goal of this research is to study how introducing innovation in cultural craft production affects the identity of the traditional handicraft. For the findings, rapid ethnography was performed for the exquisite Shivarapatna stone craft. The craft uses ancient knowledge of Shilpashashtra to hand-craft the intricate Hindu idol statues from granite, and the associated community and the craftsmen are situated in the Kolar district of Karnataka, India. An experiment will be conducted to diversify the stone made craft products to analyse the outcome. The representational difference of the traditional craft products and the innovative craft products are then compared and presented with images. In addition to the comparative analysis, methodology also focuses on the descriptive approach in the handicraft.
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卡纳塔克邦的希瓦拉帕特纳石工艺--探索创新在传统手工艺和文化特性中的变革作用
手工艺品行业是最可持续的产品行业之一,因为它使用的原材料都是来自大自然的未经处理的原材料。在许多发展中国家,如印度,有大量的生计依赖于手工艺品行业,预计到 2022 年,与该行业相关的工匠将达到 1 779 万。以往的研究表明,手工艺与创新之间的关系既有争议又势在必行。有研究认为,该行业必须进行渐进式创新,才能在当今时代实现增长和生存。相反,也有研究提出异议,认为文化传统是创新的障碍。创新可以引入有助于创造工艺的技术。而在工艺技术和产品创造中引入创新则可能会妨碍其文化特性。创新是可持续发展目标第 9 个目标的主要关键词之一,本研究的目的是探讨在文化手工艺生产中引入创新会如何影响传统手工艺的特性。为了获得研究结果,我们对精致的希瓦拉帕特纳石雕工艺进行了快速人种学调查。该工艺利用希尔帕沙施特拉(Shilpashashtra)的古老知识,用花岗岩手工制作复杂的印度教神像,相关社区和工匠位于印度卡纳塔克邦的科拉(Kolar)地区。我们将进行一项实验,使石制工艺产品多样化,并对实验结果进行分析。然后,比较传统工艺产品和创新工艺产品在表现形式上的差异,并用图像进行展示。除比较分析外,方法论还侧重于手工艺品的描述性方法。
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