{"title":"Biopolíticas e “inscrituras”: la poesía de Raúl Zurita como communitas del dolor","authors":"Paula Miranda Herrera","doi":"10.25025/perifrasis202415.32.06","DOIUrl":null,"url":null,"abstract":"This article analyzes part of the poetic work of Raúl Zurita, expressed both in some of his poetry books and in his \"inscriptions\" or material inscriptions and in his corporal self-mutilations to determine the functions that his art fulfills in the face of neoliberal biopolitical practices (Foucault, Agamben, Calveiro) and as a bet for a communitas of pain (Diéguez). It explains the meaning and function of books such as Purgatorio (1982), Canto a su amor desaparecido (1985) and zurita/in memoriam (2007), or interventions such as her verse \"ni pena ni miedo\" in the Atacama Desert, her presence in memorials or her intervention \"El mar del dolor\"; all as differentiated forms of resistance from art, against strategies of power that tried to \"let die\" part of the society in the context of the military dictatorship in Chile (1973-1990) and also in other contexts of human rights violations.","PeriodicalId":516732,"journal":{"name":"Perífrasis. Revista de Literatura, Teoría y Crítica","volume":"76 2","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Perífrasis. Revista de Literatura, Teoría y Crítica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25025/perifrasis202415.32.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This article analyzes part of the poetic work of Raúl Zurita, expressed both in some of his poetry books and in his "inscriptions" or material inscriptions and in his corporal self-mutilations to determine the functions that his art fulfills in the face of neoliberal biopolitical practices (Foucault, Agamben, Calveiro) and as a bet for a communitas of pain (Diéguez). It explains the meaning and function of books such as Purgatorio (1982), Canto a su amor desaparecido (1985) and zurita/in memoriam (2007), or interventions such as her verse "ni pena ni miedo" in the Atacama Desert, her presence in memorials or her intervention "El mar del dolor"; all as differentiated forms of resistance from art, against strategies of power that tried to "let die" part of the society in the context of the military dictatorship in Chile (1973-1990) and also in other contexts of human rights violations.
本文分析了劳尔-苏里塔的部分诗歌作品,包括他的一些诗集、他的 "铭文 "或物质铭文以及他的身体自残,以确定他的艺术在面对新自由主义生物政治实践(福柯、阿甘本、卡尔维罗)时所发挥的功能,以及作为痛苦共同体的赌注(迪盖斯)所发挥的功能。它解释了《炼狱》(Purgatorio,1982 年)、《Canto a su amor desaparecido》(1985 年)和《Zurita/in memoriam》(2007 年)等书籍的意义和功能,或她在阿塔卡马沙漠的诗句 "ni pena ni miedo"、她在纪念馆的存在或她的干预 "El mar del dolor "等干预活动的意义和功能;在智利军事独裁统治时期(1973-1990 年)以及其他侵犯人权的情况下,权力战略试图 "让 "社会的一部分 "死亡"。