Censorship of Family Violence in Cinema in Iran

Atefeh Batyari
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Abstract

Prevention and control of family violence require an accurate understanding of its causes and effects. Iranian filmmakers try to fulfil their mission to raise awareness about family violence by showing hidden and unpleasant social issues in the family and presenting an accurate picture of family violence. However, to do so is taboo and goes against the Islamization policy of the Iranian regime against portraying family violence. Breaking the taboo leads to the seizure and censorship of films that show negative perspectives of family relationships. This article analyzes the Iranian regime’s approach to film productions based on Islamization policies and investigates the films that have been censored and seized. An interpretive analysis takes a critical look at Iran’s politicized cinema with a focus on paternalism. The article looks at the banned films Friday Evening, The Paternal House, and Girl’s House. The filmmakers’ goal is to remove the barriers to raising awareness in the area of victimization of girls. The depoliticization of Iranian cinema will support the process of breaking cultural taboos and thus support women’s protection from family violence.
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伊朗电影中的家庭暴力审查
预防和控制家庭暴力需要准确了解其原因和影响。伊朗电影制片人试图通过展现家庭中隐藏的、令人不快的社会问题,准确描述家庭暴力,从而完成提高人们对家庭暴力认识的使命。然而,这样做是一种禁忌,违背了伊朗政权反对描述家庭暴力的伊斯兰化政策。打破禁忌会导致对展现家庭关系负面视角的电影进行查封和审查。本文分析了伊朗政权基于伊斯兰化政策对待电影制作的方式,并调查了被审查和查封的电影。通过解释性分析,对伊朗政治化电影进行了批判性审视,重点关注家长制。文章探讨了被禁的电影《星期五的夜晚》、《家长的房子》和《女孩的房子》。电影制作者的目标是消除障碍,提高人们对女童受害问题的认识。伊朗电影的非政治化将支持打破文化禁忌的进程,从而支持保护妇女免受家庭暴力。
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