{"title":"Double Turning and Other Duplicities. A Performative Reading of John 20:11–18","authors":"C. Breu","doi":"10.30965/23642807-bja10097","DOIUrl":null,"url":null,"abstract":"\nIn John 20:11–18, Mary Magdalene meets Jesus after his death. She turns around twice, a double gesture that has puzzled New Testament scholars. In this article, I offer a performative reading of Mary Magdalene’s turns based on Judith Butler’s theory of gesture and the literary inventory of ancient recognition scenes. I argue that the double gesture does not emphasize the difference between a physical and an inner status of recognition. Instead, it is conceived as a non-identical repetition or quotation. It points to other turnings and other duplicities. Both turns are part of a performative process that unfolds the new identities of the main characters after their separation. Mary is not portrayed as a misunderstanding disciple who needs two turns to recognize Jesus, but as part of a reciprocal process that mirrors Jesus’ double appearance and the text’s double layers of meaning.","PeriodicalId":53191,"journal":{"name":"Interdisciplinary Journal for Religion and Transformation in Contemporary Society","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Interdisciplinary Journal for Religion and Transformation in Contemporary Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30965/23642807-bja10097","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0
Abstract
In John 20:11–18, Mary Magdalene meets Jesus after his death. She turns around twice, a double gesture that has puzzled New Testament scholars. In this article, I offer a performative reading of Mary Magdalene’s turns based on Judith Butler’s theory of gesture and the literary inventory of ancient recognition scenes. I argue that the double gesture does not emphasize the difference between a physical and an inner status of recognition. Instead, it is conceived as a non-identical repetition or quotation. It points to other turnings and other duplicities. Both turns are part of a performative process that unfolds the new identities of the main characters after their separation. Mary is not portrayed as a misunderstanding disciple who needs two turns to recognize Jesus, but as part of a reciprocal process that mirrors Jesus’ double appearance and the text’s double layers of meaning.