Plataean Remembrances

Christel Müller
{"title":"Plataean Remembrances","authors":"Christel Müller","doi":"10.7146/classicaetmediaevalia.vi1.145227","DOIUrl":null,"url":null,"abstract":"This article focuses, in a regressive approach going back in time from the Imperial to the Classical period, on the physical markers which became places of commemoration on the territory of Plataea after 479, and their significance in terms of the memory of the battle and the persistence (or otherwise) of a Panhellenic landscape. These markers fall into three categories: trophies, the altar of Zeus Eleutherios, and the graves of fallen soldiers. Trophies, initially ephemeral monuments celebrating a victory, were monumentalised before 380 BC to become concrete manifestations of Panhellenic values. The punctual sacrifice to Zeus Eleutherios on the agora was perpetuated by the construction of a marble altar and was enriched by the addition of a goddess, Homonoia, at least in the Hellenistic period, but perhaps as early as the end of the 5th century BC. Finally, the tombs of dead soldiers were the object of sacrifices that seemed to change in nature between the Classical and Imperial periods, with the enagismos ritual so well described by Plutarch. Two ceremonies are also discussed, the Eleutheria and the dialogos, which further encapsulate the memorial importance of the battle, perhaps as early as the end of the 4th century BC for the contest and the end of the 2nd century BC for the dialogos.","PeriodicalId":306790,"journal":{"name":"Classica et Mediaevalia","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Classica et Mediaevalia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7146/classicaetmediaevalia.vi1.145227","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

This article focuses, in a regressive approach going back in time from the Imperial to the Classical period, on the physical markers which became places of commemoration on the territory of Plataea after 479, and their significance in terms of the memory of the battle and the persistence (or otherwise) of a Panhellenic landscape. These markers fall into three categories: trophies, the altar of Zeus Eleutherios, and the graves of fallen soldiers. Trophies, initially ephemeral monuments celebrating a victory, were monumentalised before 380 BC to become concrete manifestations of Panhellenic values. The punctual sacrifice to Zeus Eleutherios on the agora was perpetuated by the construction of a marble altar and was enriched by the addition of a goddess, Homonoia, at least in the Hellenistic period, but perhaps as early as the end of the 5th century BC. Finally, the tombs of dead soldiers were the object of sacrifices that seemed to change in nature between the Classical and Imperial periods, with the enagismos ritual so well described by Plutarch. Two ceremonies are also discussed, the Eleutheria and the dialogos, which further encapsulate the memorial importance of the battle, perhaps as early as the end of the 4th century BC for the contest and the end of the 2nd century BC for the dialogos.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
普拉提人的回忆
本文采用一种从帝国时代到古典时期的倒退方法,重点介绍 479 年之后普拉提亚领土上成为纪念场所的实物标志,以及它们在战争记忆和泛希腊景观的持续性(或不持续性)方面的意义。这些标记可分为三类:战利品、宙斯-埃莱瑟奥斯祭坛和阵亡士兵的坟墓。战利品最初是庆祝胜利的短暂纪念物,在公元前 380 年前被纪念化,成为泛希腊价值观的具体体现。至少在希腊化时期,或许早在公元前 5 世纪末,广场上准时向宙斯-埃莱瑟奥斯(Zeus Eleutherios)献祭的习俗就通过建造一个大理石祭坛而得以延续,并通过增添一个女神--荷莫诺亚(Homonoia)而变得更加丰富。最后,死去士兵的坟墓是祭祀的对象,在古典时期和帝国时期,祭祀的性质似乎发生了变化,普鲁塔克对 enagismos 仪式做了很好的描述。此外,还讨论了两个仪式,即 Eleutheria 和 dialogos,这两个仪式进一步体现了战役纪念的重要性,也许早在公元前 4 世纪末的竞赛和公元前 2 世纪末的 dialogos 中就体现了这一重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.30
自引率
0.00%
发文量
0
期刊最新文献
Intertemporal Memories of a Shifting Unity Patterns of Relationship between Metropolis and Apoikia in Dorian Sicily Greeks Drawing Lots Unity and Diversity in Greek Art Emotional Language in Alcipron’s Letters
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1