Implicated Realism and the Environmentalism of the Rich in Ben Lerner's 10:04

IF 0.5 2区 文学 0 LITERATURE STUDIES IN THE NOVEL Pub Date : 2024-05-23 DOI:10.1353/sdn.2024.a928656
Leila Braun
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引用次数: 0

Abstract

Abstract:

This essay argues that Ben Lerner’s novel 10:04 (2014) employs “implicated realism” to represent the environmentalism of the rich. Implicated realism is a self-reflexive aesthetic that reveals how the foundations of literary realism—narrative description, bourgeois settings, an emphasis on daily life—rely upon the forms of exploitation that have also produced the climate crisis. I demonstrate that implicated realism in 10:04, paradoxically, consists of both hyperrealism and realist failure. Lerner’s novel applies hyperrealist description to seemingly innocuous scenes, uncovering their implication in the uneven distribution of environmental harm. Such hyperrealism exists alongside realist failure, which 10:04 both thematizes and performs. Through realist failure, then, implicated realism confronts the compromised history of realism and its association with possessive individualism and extractive capitalism. Consequently, although many ecocritics discount realism’s ability to represent climate change, this essay identifies implicated realism as a self-reflexive and adaptive mode.

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本-勒纳《10:04》中的隐含现实主义和富人的环保主义
摘要:本文认为,本-勒纳的小说《10:04》(2014年)运用了 "隐含现实主义 "来表现富人的环保主义。隐含现实主义是一种自我反思的美学,它揭示了文学现实主义的基础--叙事描写、资产阶级背景、对日常生活的强调--是如何依赖于剥削形式的,而剥削形式也产生了气候危机。我证明,《10:04》中的牵连现实主义既包括超现实主义,也包括现实主义的失败。勒纳的小说对看似无害的场景进行了超现实主义的描述,揭示了这些场景对环境危害的不均衡分布的影响。这种超写实主义与现实主义的失败同时存在,《10:04》既将现实主义的失败主题化,又表现了现实主义的失败。通过现实主义的失败,"牵连现实主义 "直面了现实主义妥协的历史及其与占有性个人主义和榨取性资本主义的关联。因此,尽管许多生态批评家对现实主义表现气候变化的能力不屑一顾,本文却认为牵连现实主义是一种自我反思和适应的模式。
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来源期刊
STUDIES IN THE NOVEL
STUDIES IN THE NOVEL LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
28
期刊介绍: From its inception, Studies in the Novel has been dedicated to building a scholarly community around the world-making potentialities of the novel. Studies in the Novel started as an idea among several members of the English Department of the University of North Texas during the summer of 1965. They determined that there was a need for a journal “devoted to publishing critical and scholarly articles on the novel with no restrictions on either chronology or nationality of the novelists studied.” The founding editor, University of North Texas professor of contemporary literature James W. Lee, envisioned a journal of international scope and influence. Since then, Studies in the Novel has staked its reputation upon publishing incisive scholarship on the canon-forming and cutting-edge novelists that have shaped the genre’s rich history. The journal continues to break new ground by promoting new theoretical approaches, a broader international scope, and an engagement with the contemporary novel as a form of social critique.
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