The Role of Gunawan Setiawan's Batik Industry in the Education Process and Maintaining Batik Cultural Symbols in the Community

Renzi Noviana, Omy Marissa Verdiani, Mohamad Rizki Azhar, Yosafat Hermawan Trinugraha, Bagas Narendra Parahita
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Abstract

Batik is one of the handicrafts that has high artistic value which has been passed down from generation to generation by the ancestors of the Indonesian nation since the Majapahit Kingdom and continues to be preserved today. However, we have discovered the reality that currently there are still many people who do not fully understand the meaning or philosophy behind batik motifs. Through this, it is necessary to have an educational process for the community, one of which can be carried out by the batik industry. The purpose of this study is to provide an overview regarding how the educational process carried out by Kampung Batik Kauman, especially Batik Gunawan Setiawan, is to provide a comprehensive understanding of batik to the public. This research was conducted in Surakarta, namely in Kauman Batik Village, precisely in Gunawan Setiawan Batik. The research method used is a qualitative research method with a case study approach. The results showed that there were several educational processes carried out by Batik Gunawan Setiawan, such as creating a batik gallery, conducting batik exhibitions and holding batik training. Furthermore, the process of batik education in the community is analyzed using Structural-Functional Theory - Radcliffe Brown as a countermeasure to tensions. As he stated that culture is not to satisfy individuals but to fulfill the social structure of society and emerge to overcome tensions such as theft of cultural identity due to the lack of public concern regarding local culture.
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古纳万-塞蒂亚万(Gunawan Setiawan)的蜡染业在教育过程中的作用以及蜡染文化符号在社区中的传承
蜡染是具有极高艺术价值的手工艺品之一,自 Majapahit 王国以来,印尼民族的祖先们一直将其代代相传,并延续至今。然而,我们发现,目前仍有许多人并不完全了解蜡染图案背后的含义或哲学。因此,有必要对社会进行教育,而蜡染行业可以开展这方面的工作。本研究的目的是概述 Kampung Batik Kauman(尤其是 Batik Gunawan Setiawan)开展的教育过程是如何让公众全面了解蜡染的。这项研究在苏腊卡尔塔(Surakarta)进行,即在考曼蜡染村(Kauman Batik Village),准确地说是在古纳万-塞蒂亚万蜡染村(Gunawan Setiawan Batik)。采用的研究方法是个案研究的定性研究方法。研究结果表明,古纳万-塞蒂亚万蜡染村开展了多项教育工作,如创建蜡染画廊、举办蜡染展览和蜡染培训。此外,还利用拉德克里夫-布朗(Radcliffe Brown)的结构功能理论(Structural-Functional Theory)对社区蜡染教育过程进行了分析,以此作为应对紧张局势的对策。正如他所说,文化不是为了满足个人,而是为了满足社会的社会结构,文化的出现是为了克服紧张局势,如由于公众对本地文化缺乏关注而导致文化身份被盗。
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