Environmental Horror and White Extinction

Nik Wakefield
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Abstract

A literalist ecological approach to performance studies rematerializes theatre beyond a racist anthropocentricity of metaphorical representation and proposes a path to intersectional environmental justice. Escaped Alone (2016) by Caryl Churchill presents a horrifically accurate report of ecological harm. The Evening (2016) by Richard Maxwell and the New York City Players imagines an extinction of whiteness. Both productions propose new understandings of ecology through reconfiguring the theatrical conditions of representation.
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环境恐怖与白人灭绝
表演研究中的字面主义生态学方法使戏剧再物质化,超越了隐喻表现的种族主义人类中心主义,并提出了一条通往交叉性环境正义的道路。卡里尔-丘吉尔(Caryl Churchill)的《独自逃生》(2016 年)对生态危害进行了骇人听闻的准确报道。理查德-马克斯韦尔(Richard Maxwell)和纽约市剧团创作的《黄昏》(2016 年)想象了白人灭绝的景象。这两部作品都通过重新配置戏剧的表现条件,提出了对生态的新理解。
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WAKE Environmental Horror and White Extinction Arrival of the Devis’ Spirit Surveillance as Gesture TDR volume 68 issue 2 Cover and Back matter
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