{"title":"Theatre as Refuge","authors":"Emily Goodling","doi":"10.1017/s1054204324000091","DOIUrl":null,"url":null,"abstract":"Sich waffnend gegen eine See von Plagen (To Take Arms against a Sea of Troubles, 2022) premiered at Germany’s Schaubühne theatre seven months after the start of the war of aggression in Ukraine. The piece comments on the broader significance of the war within Europe, while also zooming in on the protective potentialities of theatre itself, as institution and praxis.","PeriodicalId":517571,"journal":{"name":"TDR: The Drama Review","volume":"64 9","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"TDR: The Drama Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1054204324000091","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Sich waffnend gegen eine See von Plagen (To Take Arms against a Sea of Troubles, 2022) premiered at Germany’s Schaubühne theatre seven months after the start of the war of aggression in Ukraine. The piece comments on the broader significance of the war within Europe, while also zooming in on the protective potentialities of theatre itself, as institution and praxis.
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