Fugitive Study at University: Moving Beyond Neoliberal Affect Through Aesthetic Experimentation with Space-Times

IF 1.1 4区 教育学 0 ART International Journal of Art & Design Education Pub Date : 2024-06-07 DOI:10.1111/jade.12515
Laura Trafí-Prats
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Abstract

The article proposes a relational pedagogy centred on study, to contest the affective condition of the present and how it shapes narratives of young people being disengaged and with a lack of future. In doing so, it draws from affect theory and black radical studies to outline a more complex approach to affect in university experience. It mobilises the concept of study, advanced by Stefano Harney and Fred Moten in their book The Undercommons, to direct attention to less linear and transparent space-times where study, a practice of affecting and being affected by what others do to you and what you do with it, exceeds the frameworks of the university. Further to this, the article connects study and fugitivity to what Moten calls an aesthetics of the break practiced across black studies. In doing so, it links affect to complex spatial-temporal relationalities that emerge from sensuous experimentation and creative speculation, which engage both in university and its escape. These ideas are explored through a participatory study with university students in Manchester, UK called Sensing the Black Outdoors. I present the findings derived from radical sensory-spatial experiments, which led to: (a) visual encounters centred in not looking away and staying with the material presence of blackness and (b) the development of collective experiments with sensory media for feeling and imagining alternative experiences of space and time in the city.

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大学里的逃学:通过时空美学实验超越新自由主义情感
文章提出了一种以学习为中心的关系教学法,以质疑当下的情感状况,以及它如何塑造了年轻人脱离现实、缺乏未来的叙事。在此过程中,文章借鉴了情感理论和黑人激进主义研究,勾勒出一种更为复杂的方法来处理大学经历中的情感问题。文章引用了斯特凡诺-哈尼(Stefano Harney)和弗雷德-莫腾(Fred Moten)在其著作《地下空间》(The Undercommons)中提出的 "学习"(study)概念,将人们的注意力引向线性和透明性较差的空间--在这些空间中,学习是一种影响他人对你所做的一切以及你对他人所做的一切并受其影响的实践,它超越了大学的框架。此外,这篇文章还将学习和 "赋格"(fugitivity)与莫滕(Moten)所说的黑人研究中的 "断裂美学"(aesthetics of the break practiced across black studies)联系起来。在此过程中,文章将情感与复杂的时空关系联系起来,这些时空关系产生于感性实验和创造性推测,既涉及大学,也涉及大学的逃避。我通过与英国曼彻斯特大学生共同开展的一项名为 "感知黑色户外 "的参与式研究来探讨这些观点。我介绍了从激进的感官空间实验中得出的结论,这些实验导致了(a) 以不移开视线并与黑色的物质存在保持一致为中心的视觉接触,以及 (b) 利用感官媒体进行集体实验,以感受和想象城市空间和时间的另类体验。
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来源期刊
CiteScore
2.90
自引率
9.10%
发文量
47
期刊介绍: The International Journal of Art & Design Education (iJADE) provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations. The journal welcomes articles from a wide range of theoretical and methodological approaches to research, and encourages submissions from the broader fields of education and the arts that are concerned with learning through art and creative education.
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