Agonistic Scenes of the mahāvrata Rite

Q2 Arts and Humanities Cracow Indological Studies Pub Date : 2024-06-07 DOI:10.12797/cis.26.2024.01.02
Paola M. Rossi
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Abstract

The present paper focuses on one of the competitive scenes staged during the Vedic classical mahāvrata rite: a sort of “agonistic” play performed between someone defined as abhigara, basically translated as “praiser,” and someone who is called apagara, interpreted as “reviler.” They appear to take part only in a verbal and not a physical duel. In fact, scholars consider the scene an example of a verbal contest. However, given that abhigara and apagara are never mentioned in the Rigvedic and Atharvavedic collections and rarely occur in the Vedic corpus, appearing mostly in sections concerning the peculiar mahāvrata ceremony, this dichotomous pair certainly sparks interest since they are associable with the Mahābhārata context. The analysis of the Vedic textual sources concerning the abhigara / apagara contest on the mahāvrata day, a survey of the terminology correlated to these two terms and their etymological reconstruction may offer a peculiar perspective on the relationship between violence, ritualism and narration in the Mahābhārata.
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玛哈弗拉塔仪式的辩论场景
本文的重点是吠陀古典 mahāvrata 仪式中的一个竞技场景:被定义为 abhigara(基本翻译为 "赞美者")的人和被称为 apagara(解释为 "谩骂者")的人之间上演的一种 "对抗 "游戏。他们似乎只参加了口头决斗,而不是肢体决斗。事实上,学者们认为这个场景是口头较量的一个例子。然而,鉴于 abhigara 和 apagara 在梨俱吠陀和阿塔伐吠陀文集中从未被提及,在吠陀文献中也极少出现,大多出现在有关独特的 mahāvrata 仪式的章节中,这对二分法无疑会引发人们的兴趣,因为它们与 Mahābhārata 的背景有关。通过分析吠陀文本中有关 mahāvrata 日 abhigara / apagara 竞赛的资料,研究与这两个词相关的术语及其词源重构,可以从一个独特的视角探讨 Mahābhārata 中暴力、仪式和叙事之间的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Cracow Indological Studies
Cracow Indological Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
9
期刊最新文献
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