Rainbow Mirrors: Technology and Our Collective Moral Imagination

IF 4.6 Q2 MATERIALS SCIENCE, BIOMATERIALS ACS Applied Bio Materials Pub Date : 2024-06-21 DOI:10.1109/MTS.2024.3398738
Mathew Mytka;Alja Isakovic
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Abstract

Recent narratives about technology and the future have been dominated by dystopian futures, limiting our collective imagination. This is not merely a product of technology itself but is deeply rooted in the bio-psycho-social dynamics of our historical context. Humans have a natural tendency to focus on problems, often exhibiting a negativity bias that is exacerbated by the relentless pace and stressors of modern life and the pervasive exposure to stress-inducing media. While Antonio Gramsci’s notion of cultural hegemony [1] illuminates how dominant societal forces can shape our perceptions and values, the prevalence of dystopian views about technology also reflects broader societal concerns. These range from genuine fears about privacy and autonomy to anxieties about technology’s role in widening social inequalities. Such dynamics do not merely reinforce fear and anxiety but also create a fertile ground for “dark mirrors”—narratives in our cultural imagination that reflect our deepest fears and foster cycles of pessimism about the role of technology in our future.
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彩虹镜:技术与我们的集体道德想象力
最近关于技术和未来的叙述一直以乌托邦式的未来为主,限制了我们的集体想象力。这不仅仅是技术本身的产物,而是深深植根于我们历史背景下的生物-心理-社会动力。人类有一种关注问题的自然倾向,往往表现出一种消极的偏见,而现代生活的无情节奏和压力以及无处不在的诱导压力的媒体又加剧了这种偏见。安东尼奥-葛兰西(Antonio Gramsci)的文化霸权概念[1]揭示了占主导地位的社会力量如何塑造我们的观念和价值观,而关于技术的歇斯底里观点的盛行也反映了更广泛的社会关切。这些担忧既包括对隐私和自主权的真正恐惧,也包括对技术在扩大社会不平等方面所起作用的焦虑。这种动态不仅强化了恐惧和焦虑,还为 "黑暗镜像 "创造了肥沃的土壤--我们文化想象中的叙事反映了我们内心深处的恐惧,并助长了对技术在我们未来中的作用的悲观循环。
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来源期刊
ACS Applied Bio Materials
ACS Applied Bio Materials Chemistry-Chemistry (all)
CiteScore
9.40
自引率
2.10%
发文量
464
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