Overcoming a Cold War Mindset: Encounters with Soviet Musical Expertise in a Finnish Town

Abstract

This article examines how a music festival in a regional Finnish town managed to overcome concrete and imagined Cold War limitations to become a venue for sustained encounters between Soviet and Western musicians starting in the mid-1960s. It explains how the Jyväskylä Summer Festival, which began in 1956 as one of the first festivals of its kind in the Nordic countries, acted as an intermediary and managed to secure contracts for several high-profile Soviet musicians to perform and provide master classes for up to a month, with relatively little surveillance from the Soviet state security apparatus, allowing for deeper interaction among Eastern and Western participants. Although many obstacles and challenges had to be overcome, the use of music and art to ease Cold War tensions proved beneficial to both the USSR and Finland and helped reduce cultural stereotypes, introduce new forms of music, improve performer agency, promote careers, and open doors to opportunities for long-term cooperation between previously separated societies.