When backstage becomes frontstage? A critical ethnographic study of Norwegian recovery colleges

IF 4.1 Q1 PSYCHIATRY SSM. Mental health Pub Date : 2024-07-08 DOI:10.1016/j.ssmmh.2024.100335
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Abstract

This study investigates the co-creation process between course facilitators and students while the course takes place at recovery colleges (RCs), emphasising the synergistic partnership where individuals with lived experience of mental health issues collaborate with professionals in course delivery. This paper focuses on understanding the dynamics of these interactions from the students’ perspectives and the dynamic shifts between the private realm and the public space. We conducted a qualitative study inspired by critical ethnography, collecting data from participatory observations in RCs at two locations and focus group interviews with students. Goffman’s dramaturgical approach guided us in examining social interactions in RC as theatrical performances with students playing specific roles, managing impressions, and navigating the front and backstage of their lives. During the analysis, we separated the data into front- and backstage contexts where we identified moments where students were actively performing a social role and moments revealing more authentic sides of themselves. We demonstrate that a RC is a stage where students can test their performance and adapt to their audience’s reactions. Uncertainty about their roles, social scripts, and the audience’s reactions lead them to switch between front- and backstage appearances, either performing a role or revealing their authentic sides. While exploring appearances, students develop social scripts aligning with their roles as performers and audience, eventually promoting security by mutual understanding of appropriate appearances. Emotional support, collaborative relationships, and group dynamics were critical factors in fostering an environment conducive to authentic participation. Challenges persist, such as vulnerability, recognizing the value of personal contributions, and establishing personal boundaries. Safety within the college environment was paramount for genuine engagement in co-creation, leading to personal and collective benefits for mental health services. The study suggests an in-depth investigation into the structural and power dynamics that shape such interactive processes within RCs.

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当后台变成前台?对挪威康复学院的批判性人种学研究
本研究调查了在康复学院(RCs)开展课程时,课程主持人与学生之间的共同创造过程,强调了具有心理健康问题亲身经历的个人与专业人士在课程实施过程中的协同合作关系。本文的重点是从学生的角度来理解这些互动的动态,以及私人领域和公共空间之间的动态变化。我们受批判人种学的启发,开展了一项定性研究,通过在两个地点的康复中心进行参与式观察以及与学生进行焦点小组访谈来收集数据。戈夫曼(Goffman)的戏剧学方法指导我们将区域活动中心的社会互动视为戏剧表演,学生扮演特定角色,管理印象,在生活的台前幕后游刃有余。在分析过程中,我们将数据分为台前和幕后两个情境,在这两个情境中,我们发现了学生积极扮演社会角色的时刻,以及展现自己更真实一面的时刻。我们证明,驻地协调员是一个舞台,学生可以在这里检验自己的表现,并适应观众的反应。对自己的角色、社会脚本和观众反应的不确定性,导致他们在台前和幕后之间切换,或表演角色,或展现自己真实的一面。在探索出场方式的过程中,学生会根据自己作为表演者和观众的角色制定社交脚本,最终通过相互理解适当的出场方式来增强安全感。情感支持、合作关系和小组动力是营造有利于真实参与的环境的关键因素。挑战依然存在,例如脆弱性、认识到个人贡献的价值以及建立个人界限。大学环境中的安全对于真正参与共同创造至关重要,这将为心理健康服务带来个人和集体利益。本研究建议对形成区域中心内此类互动过程的结构和权力动态进行深入调查。
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来源期刊
SSM. Mental health
SSM. Mental health Social Psychology, Health
CiteScore
2.30
自引率
0.00%
发文量
0
审稿时长
118 days
期刊最新文献
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