Exploring Wood Carving Motifs: The Minbar of ULUL Albab Mosque

Noor Hafiza Ismail, Hamdzun Haron, Norshakila Yusof, Raha Jaafar, Azizan Othman
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Abstract

Mosques hold significant reverence as places of worship for Muslims worldwide, serving as focal points for religious activities such as sermons and meetings. Each country exhibits distinct designs for mosque minbars, reflecting its cultural and ethnic diversity. Terengganu, a Malaysian state, showcases a plethora of unique and captivating carving motifs adorning its mosque minbars. This study aims to elucidate the carving motifs and their meanings on the minbar of the Ulul Albab Mosque in Terengganu. Employing qualitative research methodology, including interviews, observations, and analysis of primary and secondary sources, this research unveils the intricate details behind the wood carvings. The findings reveal that the minbar of the Ulul Albab Mosque in Terengganu encompasses various motifs inspired by flora and fauna, aiming to convey messages rooted in the pure values of Malay culture. These wood carvings serve as exemplars of Malay craftsmanship worthy of preservation. It is anticipated that this research will foster greater awareness among the public regarding the imperative of safeguarding cultural heritage, which epitomizes ethnic identity.
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探索木雕图案:ULUL Albab 清真寺的明巴尔
清真寺是世界各地穆斯林的礼拜场所,是布道和集会等宗教活动的集中地,因此备受尊崇。每个国家的清真寺明巴设计都各具特色,反映了其文化和民族的多样性。马来西亚的丁加奴州展示了大量独特而迷人的清真寺明柱雕刻图案。本研究旨在阐明丁加奴乌卢阿尔巴清真寺小柱上的雕刻图案及其含义。本研究采用定性研究方法,包括访谈、观察、分析第一手和第二手资料,揭示了木雕背后错综复杂的细节。研究结果表明,丁加奴乌鲁阿尔巴卜清真寺的栅栏包含各种图案,灵感来自动植物,旨在传达植根于纯正马来文化价值观的信息。这些木雕是马来手工艺的典范,值得保护。预计这项研究将提高公众对保护文化遗产必要性的认识,因为文化遗产是民族身份认同的缩影。
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