Digital transformation, blockchain, and the music industry: A review from the perspective of performers’ collective management organizations

IF 5.9 2区 管理学 Q1 COMMUNICATION Telecommunications Policy Pub Date : 2024-07-01 DOI:10.1016/j.telpol.2024.102817
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Abstract

This study examines the challenges related to the music industry's digital transformation and potential role of blockchain from the perspective of collective management organizations (CMOs). Building on desk research and primary data from semi-structured surveys conducted with C-level executives and managers, this empirical analysis identifies major projects, their state of development, and prospects for digital transformation based on blockchain in the music industry. The findings reveal that there are a limited number of blockchain projects led by and/or with the relevant participation of CMOs. However, most are just research projects, proofs of concept, or pilots, showing that blockchain is currently in an experimental phase of development on the periphery of the music industry's digital transformation. This is not very different from analysts' understanding of the current situation and perspectives on the mass adoption of blockchain in other industries. In summary, blockchain is neither at the core of the music industry's digital transformation nor a priority for CMOs leading this process from the perspective of intellectual property rights management. The limited quality of music metadata, sparsity of sound data sources, and absence of a common data governance framework among different stakeholders within the industry are the main impediments to transforming blockchain into a global solution with transformative potential. Overall, the results provide a snapshot of the current status and possible future trajectories of blockchain adoption as a paradigm for intellectual property rights exchange within the music industry.

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数字化转型、区块链与音乐产业:从表演者集体管理组织的角度进行回顾
本研究从集体管理组织(CMO)的角度,探讨了音乐产业数字化转型的相关挑战和区块链的潜在作用。基于案头研究以及对 C 级高管和经理进行的半结构式调查所获得的原始数据,本实证分析确定了音乐行业基于区块链的主要项目、其发展状况以及数字化转型的前景。调查结果显示,由 CMO 领导和/或参与的区块链项目数量有限。然而,大多数只是研究项目、概念验证或试点项目,这表明区块链目前还处于音乐行业数字化转型的实验性发展阶段。这与分析师对其他行业大规模采用区块链的现状和前景的理解并无太大区别。总之,从知识产权管理的角度来看,区块链既不是音乐产业数字化转型的核心,也不是领导这一进程的 CMO 的优先事项。音乐元数据质量有限、声音数据源稀少以及行业内不同利益相关者之间缺乏共同的数据管理框架,是将区块链转化为具有变革潜力的全球解决方案的主要障碍。总之,研究结果提供了音乐行业采用区块链作为知识产权交换范例的现状和未来可能的发展轨迹。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Telecommunications Policy
Telecommunications Policy 工程技术-电信学
CiteScore
10.80
自引率
12.50%
发文量
122
审稿时长
38 days
期刊介绍: Telecommunications Policy is concerned with the impact of digitalization in the economy and society. The journal is multidisciplinary, encompassing conceptual, theoretical and empirical studies, quantitative as well as qualitative. The scope includes policy, regulation, and governance; big data, artificial intelligence and data science; new and traditional sectors encompassing new media and the platform economy; management, entrepreneurship, innovation and use. Contributions may explore these topics at national, regional and international levels, including issues confronting both developed and developing countries. The papers accepted by the journal meet high standards of analytical rigor and policy relevance.
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