Secondary storyworld possible selves: narrative response and cultural (un)predictability

IF 0.1 3区 文学 0 LITERARY THEORY & CRITICISM Frontiers of Narrative Studies Pub Date : 2024-07-01 DOI:10.1515/fns-2024-2006
Melina Ghasseminejad, María-Ángeles Martínez
{"title":"Secondary storyworld possible selves: narrative response and cultural (un)predictability","authors":"Melina Ghasseminejad, María-Ángeles Martínez","doi":"10.1515/fns-2024-2006","DOIUrl":null,"url":null,"abstract":"\n Narrative experiencers frequently report broadly differing narrative responses. Literary scholarship customarily addresses those shared by communities of readers as pertaining to implied and rhetorical readers. However, empirical reader-response research shows that flesh-and-blood readers and audience members often show idiosyncratic narrative responses based on individual experience. Storyworld Possible Selves Theory (Martínez 2014. Storyworld possible selves and the phenomenon of narrative immersion: Testing a new theoretical construct. Narrative 22(1). 110–131, 2018. Storyworld possible selves. Berlin: Walter de Gruyter) provides an analytical toolkit for the study of both culturally predictable and completely individual responses to narratives, drawing on the frameworks of cognitive narratology, cognitive linguistics, and social psychology. This study discusses the affordances and shortcomings of this framework when addressing the bearing of hegemonic cultural models on narrative response and introduces the concept of “secondary storyworld possible selves” to account for responses predictable in communities sharing non-hegemonic cultural models. This renders cultural (un)predictability as a graded category and facilitates its qualitative and quantitative exploration.","PeriodicalId":29849,"journal":{"name":"Frontiers of Narrative Studies","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Frontiers of Narrative Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/fns-2024-2006","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0

Abstract

Narrative experiencers frequently report broadly differing narrative responses. Literary scholarship customarily addresses those shared by communities of readers as pertaining to implied and rhetorical readers. However, empirical reader-response research shows that flesh-and-blood readers and audience members often show idiosyncratic narrative responses based on individual experience. Storyworld Possible Selves Theory (Martínez 2014. Storyworld possible selves and the phenomenon of narrative immersion: Testing a new theoretical construct. Narrative 22(1). 110–131, 2018. Storyworld possible selves. Berlin: Walter de Gruyter) provides an analytical toolkit for the study of both culturally predictable and completely individual responses to narratives, drawing on the frameworks of cognitive narratology, cognitive linguistics, and social psychology. This study discusses the affordances and shortcomings of this framework when addressing the bearing of hegemonic cultural models on narrative response and introduces the concept of “secondary storyworld possible selves” to account for responses predictable in communities sharing non-hegemonic cultural models. This renders cultural (un)predictability as a graded category and facilitates its qualitative and quantitative exploration.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
次级故事世界的可能自我:叙事反应与文化(不可)预测性
叙事体验者经常报告的叙事反应大相径庭。文学学术界通常将读者群体的共同反应视为与暗示读者和修辞读者有关。然而,读者反应实证研究表明,有血有肉的读者和观众往往会根据个人经历表现出特异的叙事反应。故事世界可能的自我理论(马丁内斯,2014 年。故事世界可能的自我与叙事沉浸现象:测试一种新的理论建构。叙事 22(1).110-131, 2018.故事世界可能的自我》。柏林:Walter de Gruyter)提供了一个分析工具包,借鉴认知叙事学、认知语言学和社会心理学的框架,研究文化上可预测的和完全个人对叙事的反应。本研究在探讨霸权文化模式对叙事反应的影响时,讨论了这一框架的优势和不足,并引入了 "次级故事世界可能的自我 "这一概念,以解释在共享非霸权文化模式的社群中可预测的反应。这就将文化(不可)预测性作为一个分级类别,便于对其进行定性和定量探索。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
7
期刊最新文献
Joseph Conrad’s reluctant raconteurs Horizontal metalepsis in narrative fiction Explaining the innovation dichotomy: the contexts, contents, conflicts, and compromises of innovation stories Audience-authored paratexts: legitimation of online discourse about Game of Thrones Figures of discourse in prose fiction
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1