{"title":"What does research-led teaching mean for music performance programs? Students and educators perspectives from Swedish higher music education","authors":"Sam de Boise","doi":"10.1177/02557614241268286","DOIUrl":null,"url":null,"abstract":"Higher music education (HME) institutions, globally, have increasingly been expected to incorporate research into teaching in music performance programs (MPPs). This feature of “musical academization” arguably conflicts with a longstanding focus on the development of practical playing skills as part of a music performance education. Whilst academic literature has outlined how to conduct research supervision in performance programs at universities, the question of how students and educators understand research-led teaching and implementation strategies is lacking. This article highlights challenges to implementing research-led teaching in HME, exploring how research and research-led teaching is understood and implemented in MPPs at a medium sized Swedish university. Drawing on 13 semi-structured interviews with students and educators across different MPPs, it asks: (1) how are research and research-led teaching conceptualized and understood amongst music performance students and educators? and (2) what do students and educators see as the potential of research-led teaching for MPPs specifically? The article divides research in music performance programs into three themes: research as a noun, research-competent educators, and student-centered artistic research. Through this, the article informs discussions relating to implementing research in HME and to demonstrate students and educators’ perspectives on the value of research-led teaching in music performance programs.","PeriodicalId":46623,"journal":{"name":"International Journal of Music Education","volume":"27 1","pages":""},"PeriodicalIF":1.3000,"publicationDate":"2024-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Music Education","FirstCategoryId":"95","ListUrlMain":"https://doi.org/10.1177/02557614241268286","RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"EDUCATION & EDUCATIONAL RESEARCH","Score":null,"Total":0}
引用次数: 0
Abstract
Higher music education (HME) institutions, globally, have increasingly been expected to incorporate research into teaching in music performance programs (MPPs). This feature of “musical academization” arguably conflicts with a longstanding focus on the development of practical playing skills as part of a music performance education. Whilst academic literature has outlined how to conduct research supervision in performance programs at universities, the question of how students and educators understand research-led teaching and implementation strategies is lacking. This article highlights challenges to implementing research-led teaching in HME, exploring how research and research-led teaching is understood and implemented in MPPs at a medium sized Swedish university. Drawing on 13 semi-structured interviews with students and educators across different MPPs, it asks: (1) how are research and research-led teaching conceptualized and understood amongst music performance students and educators? and (2) what do students and educators see as the potential of research-led teaching for MPPs specifically? The article divides research in music performance programs into three themes: research as a noun, research-competent educators, and student-centered artistic research. Through this, the article informs discussions relating to implementing research in HME and to demonstrate students and educators’ perspectives on the value of research-led teaching in music performance programs.
期刊介绍:
The International Journal of Music Education (IJME) is a peer-reviewed journal published by the International Society for Music Education (ISME) four times a year. Manuscripts published are scholarly works, representing empirical research in a variety of modalities. They enhance knowledge regarding the teaching and learning of music with a special interest toward an international constituency. Manuscripts report results of quantitative or qualitative research studies, summarize bodies or research, present theories, models, or philosophical positions, etc. Papers show relevance to advancing the practice of music teaching and learning at all age levels with issues of direct concern to the classroom or studio, in school and out, private and group instruction. All manuscripts should contain evidence of a scholarly approach and be situated within the current literature. Implications for learning and teaching of music should be clearly stated, relevant, contemporary, and of interest to an international readership.