Postcards with images of French dolls in regional attires – a graphic source on the history of traditional constume

Anna Zhabreva
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Abstract

The article is devoted to the study of postcards with images of dolls in the regional costumes of France. The visual appearance of the postcards, the nature of the images, and dolls’ garments have been analysed. The source base of the research is the author's philocartical collection, which is a part of the personal collection of ethnographic dolls "Peoples and attires". Single and serial postcards issued throughout the 20th century recorded the existence of exquisite, perfectly made miniature people, which makes these publications a historical source. Some of the postcards were printed for advertising purposes and reflected the products of a particular company; others captured museum and private collections. The postcards demonstrate a variety of regional costumes, the main details of which, although similar throughout the territory of France, differed in colour, shape or finishing details in each historical region, city, canton, and commune. A comparison of a real and a doll costume shows some conventionality of the latter and the fact that the creators focused on hats. The dolls reflect the following features of costume making: handwork, the use of natural fabrics and lace – the results of work by artisans of different specialties. With some reservations, postcards with images of costume dolls can be viewed as visual materials for studying costumes from different regions of France, as well as an important graphic source on this issue.
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印有身着地方服饰的法国娃娃图像的明信片 - 传统建筑历史的图文资料
这篇文章专门研究了印有身着法国地方服饰的娃娃图像的明信片。文章分析了明信片的视觉外观、图像的性质以及娃娃的服装。研究的资料来源是作者的哲学藏品,这是个人收藏的人种学玩偶 "民族与服饰 "的一部分。20 世纪发行的单张明信片和连环明信片记录了精美绝伦的微型人的存在,使这些出版物成为历史资料。其中一些明信片是为广告目的而印制的,反映了某家公司的产品;另一些则是博物馆和私人收藏。这些明信片展示了各地区的服饰,虽然法国各地的服饰大同小异,但每个历史区域、城市、州和市镇的服饰在颜色、形状或装饰细节上都不尽相同。对比真人和玩偶的服装,可以看出后者的一些传统性,以及创作者将重点放在帽子上的事实。玩偶反映了服装制作的以下特点:手工、天然织物和蕾丝的使用--不同专业工匠的工作成果。尽管有一些保留意见,但可以将带有服饰玩偶图像的明信片视为研究法国不同地区服饰的视觉材料,以及有关这一问题的重要图文资料。
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