The National Concept Behind Japanese Aesthetic "Wabi-sabi"

Lucheng Mi
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Abstract

This article takes the gold jewelry of Nagoya Castle as an example, and through a case study method, discusses the correlation between the Japanese aesthetic concept of "Wabi-sabi" and the social tradition of "gaman" and the philosophical thought of "no-self" in the Japanese national character. The purpose is to point out that aesthetic preferences are affected by external factors such as national growth environment and moral concepts. Similarly, Japanese philosophical thoughts and national concepts have had a profound impact on the formation and development of wabi-sabi aesthetics. The research in this article not only helps the academic community to fully grasp the essential characteristics of wabi-sabi aesthetics; it also helps the academic community to deeply understand the similarities and differences between wabi-sabi aesthetics and other aesthetic concepts; it has certain academic significance for promoting the theoretical research and practical application of wabi-sabi aesthetics and realistic value.
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日本美学 "佗 "背后的国家理念
本文以名古屋城的黄金饰品为例,通过个案研究的方法,探讨了日本的 "佗 "审美观念与日本民族性格中的 "伽蓝 "社会传统和 "无我 "哲学思想之间的关联。其目的在于指出审美偏好受到国家成长环境和道德观念等外部因素的影响。同样,日本的哲学思想和民族观念对佗砂(wabi-sabi)美学的形成和发展也有着深远的影响。本文的研究不仅有助于学界全面把握佗砂美学的本质特征,也有助于学界深刻理解佗砂美学与其他美学观念的异同,对推动佗砂美学的理论研究和实践应用以及现实价值具有一定的学术意义。
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