Changes in Funeral Music Practices of Vietnamese People in the Northern Delta, Vietnam

Nguyen Dinh Lam
{"title":"Changes in Funeral Music Practices of Vietnamese People in the Northern Delta, Vietnam","authors":"Nguyen Dinh Lam","doi":"10.15294/harmonia.v24i1.47436","DOIUrl":null,"url":null,"abstract":"The funeral music of the Vietnamese people in the Northern Delta represents unique type of traditional musical heritage practiced and passed down by many generations of Vietnamese people to this day. Vietnamese people often say: “Sống dầu đèn, chết kèn trống” (If you live with lamp oil, die with trumpets and drums) - meaning that the sound of drums and trumpets at the funeral of the dead is like fire and oil in human life. However, this unique artistic heritage is facing a risk of change, as many traditional qualities in this type of music are gradually hybridizing and disappearing. The main research method of this study is qualitative research, focusing on in-depth interviews with elite artisans - elderly people with good memories and the ability to excel in practicing funeral music. In-depth interviews are done with artisans in families who have practiced and taught funeral music for generations. Research results show that the funeral music of Vietnamese people in the Northern Delta has changed quite a lot compared to tradition; Modern compositions songs are gradually being practiced in the Vietnamese funeral space here. The main reason is that the local cultural heritage management and preservation policy, for many years, was not given much attention. At the same time, pragmatic economic factors resulting from these artisans practicing this heritage in the face of the impact of the new economic context of society - are also the central cause of this transformation. The need to preserve this precious heritage in the cultural and social life of contemporary Vietnamese people is also an issue discussed in this study.","PeriodicalId":36152,"journal":{"name":"Harmonia: Journal of Arts Research and Education","volume":"38 9","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Harmonia: Journal of Arts Research and Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15294/harmonia.v24i1.47436","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

Abstract

The funeral music of the Vietnamese people in the Northern Delta represents unique type of traditional musical heritage practiced and passed down by many generations of Vietnamese people to this day. Vietnamese people often say: “Sống dầu đèn, chết kèn trống” (If you live with lamp oil, die with trumpets and drums) - meaning that the sound of drums and trumpets at the funeral of the dead is like fire and oil in human life. However, this unique artistic heritage is facing a risk of change, as many traditional qualities in this type of music are gradually hybridizing and disappearing. The main research method of this study is qualitative research, focusing on in-depth interviews with elite artisans - elderly people with good memories and the ability to excel in practicing funeral music. In-depth interviews are done with artisans in families who have practiced and taught funeral music for generations. Research results show that the funeral music of Vietnamese people in the Northern Delta has changed quite a lot compared to tradition; Modern compositions songs are gradually being practiced in the Vietnamese funeral space here. The main reason is that the local cultural heritage management and preservation policy, for many years, was not given much attention. At the same time, pragmatic economic factors resulting from these artisans practicing this heritage in the face of the impact of the new economic context of society - are also the central cause of this transformation. The need to preserve this precious heritage in the cultural and social life of contemporary Vietnamese people is also an issue discussed in this study.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
越南北部三角洲越南人葬礼音乐习俗的变化
北部三角洲越南人的丧葬音乐是一种独特的传统音乐遗产,世代相传至今。越南人常说"Sống dầu đèn, chết kèn trống"(如果你用灯油生活,就用号角和鼓声死去)--意思是死者葬礼上的鼓声和号角声就像人类生活中的油和火。然而,这一独特的艺术遗产正面临着变革的风险,因为这类音乐中的许多传统特质正在逐渐杂交和消失。本研究的主要研究方法是定性研究,重点是对精英工匠--记忆力好、有能力在丧葬音乐方面精益求精的老人--进行深入访谈。深入访谈的对象是世代练习和教授丧葬音乐的家庭中的工匠。研究结果表明,北部三角洲地区越南人的葬礼音乐与传统相比发生了很大变化;现代作曲歌曲逐渐在这里的越南葬礼空间中流行。究其原因,主要是当地的文化遗产管理和保护政策多年来没有得到重视。同时,面对新的社会经济环境的冲击,这些工匠在实践这一遗产的过程中产生的务实经济因素--也是导致这一转变的核心原因。在当代越南人民的文化和社会生活中保护这一珍贵遗产的必要性也是本研究讨论的一个问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Harmonia: Journal of Arts Research and Education
Harmonia: Journal of Arts Research and Education Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.90
自引率
0.00%
发文量
32
审稿时长
4 weeks
期刊最新文献
Tiger Dance: Transformation and Cultural Property Rights Discourse in Kerinci, Indonesia Innovation of Form and Function of Banyumulek Pottery Craftsmanship in Lombok as Heritage of Traditional Culture Oscar Wilde’s Moral Philosophy: A Synthesis between Aestheticism and The Picture of Dorian Gray Play-Based Learning With Games as a Dance Teaching Tool Tegalan Song: An Expression of Musical Culture Identity of the Coastal Communities of Northern Coast of Java
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1