{"title":"“Dies Bildnis ist bezaubernd schön”: On the Morphology of Eighteenth-Century Drama","authors":"David E. Wellbery","doi":"10.1080/00168890.2024.2372766","DOIUrl":null,"url":null,"abstract":"The essay argues that Lessing’s Nathan der Weise, Goethe’s Iphigenie auf Tauris, and Mozart’s and Schikaneder’s Die Zauberflöte—products of a slightly dilated decade (1779–91)—realize a single morp...","PeriodicalId":516871,"journal":{"name":"The Germanic Review: Literature, Culture, Theory","volume":"5 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Germanic Review: Literature, Culture, Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00168890.2024.2372766","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The essay argues that Lessing’s Nathan der Weise, Goethe’s Iphigenie auf Tauris, and Mozart’s and Schikaneder’s Die Zauberflöte—products of a slightly dilated decade (1779–91)—realize a single morp...
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