{"title":"Conspiracy Theater of the Absurd: “Birds Aren’t Real” as Parodic Hypermimesis","authors":"Ryan Neville-Shepard, Meredith Neville-Shepard","doi":"10.1080/02773945.2024.2375196","DOIUrl":null,"url":null,"abstract":"Emerging from an ad hoc effort to counter Trump supporters at a 2017 Women’s March, the Birds Aren’t Real movement has transformed from viral performance art into a Gen Z response to political cons...","PeriodicalId":45453,"journal":{"name":"Rhetoric Society Quarterly","volume":null,"pages":null},"PeriodicalIF":1.1000,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rhetoric Society Quarterly","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/02773945.2024.2375196","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
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Abstract
Emerging from an ad hoc effort to counter Trump supporters at a 2017 Women’s March, the Birds Aren’t Real movement has transformed from viral performance art into a Gen Z response to political cons...
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