“What makes you think I’m African American?”: identity performance, code switching and the Strong Black Woman on Love Is Blind

IF 1.1 2区 文学 Q3 COMMUNICATION Critical Studies in Media Communication Pub Date : 2024-08-21 DOI:10.1080/15295036.2024.2385459
Helen Rosenboom, Ralina L. Joseph
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Abstract

Reality TV show, Love is Blind, has captured the hearts, minds, and attention of audiences nationwide, igniting fervent and passionate discussions about romance. This show boasts that they provide ...
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"你凭什么认为我是非裔美国人?":《爱是盲目的》中的身份表现、代码转换和黑人女强人
真人秀节目《爱情盲点》(Love is Blind)俘获了全国观众的心,吸引了他们的注意力,点燃了关于浪漫的热烈讨论。这档节目自诩能为观众提供...
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来源期刊
CiteScore
2.10
自引率
0.00%
发文量
34
期刊介绍: Critical Studies in Media Communication (CSMC) is a peer-reviewed publication of the National Communication Association. CSMC publishes original scholarship in mediated and mass communication from a cultural studies and/or critical perspective. It particularly welcomes submissions that enrich debates among various critical traditions, methodological and analytical approaches, and theoretical standpoints. CSMC takes an inclusive view of media and welcomes scholarship on topics such as • media audiences • representations • institutions • digital technologies • social media • gaming • professional practices and ethics • production studies • media history • political economy. CSMC publishes scholarship about media audiences, representations, institutions, technologies, and professional practices. It includes work in history, political economy, critical philosophy, race and feminist theorizing, rhetorical and media criticism, and literary theory. It takes an inclusive view of media, including newspapers, magazines and other forms of print, cable, radio, television, film, and new media technologies such as the Internet.
期刊最新文献
Black girlhood media studies: bridging multidisciplinary approaches from old to new media Black girl joy in the media: an intergenerational perspective Editors’ note for “lifting as we climb: elevating mediated epistemologies by and about black women” The content of our caricature: African American comic art and political belonging “What makes you think I’m African American?”: identity performance, code switching and the Strong Black Woman on Love Is Blind
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