{"title":"“De eso no se habla”: the complexities of representation in Love, Victor","authors":"Camille Ruiz Mangual","doi":"10.1080/15295036.2024.2393259","DOIUrl":null,"url":null,"abstract":"This article examines the Hulu/Disney+ dramedy, Love, Victor (2020–2022), highlighting its initial problematic and racist conflation of race/ethnicity and culture/religion to depict people of color...","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"9 1","pages":""},"PeriodicalIF":1.1000,"publicationDate":"2024-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Media Communication","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/15295036.2024.2393259","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
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Abstract
This article examines the Hulu/Disney+ dramedy, Love, Victor (2020–2022), highlighting its initial problematic and racist conflation of race/ethnicity and culture/religion to depict people of color...
期刊介绍：
Critical Studies in Media Communication (CSMC) is a peer-reviewed publication of the National Communication Association. CSMC publishes original scholarship in mediated and mass communication from a cultural studies and/or critical perspective. It particularly welcomes submissions that enrich debates among various critical traditions, methodological and analytical approaches, and theoretical standpoints. CSMC takes an inclusive view of media and welcomes scholarship on topics such as • media audiences • representations • institutions • digital technologies • social media • gaming • professional practices and ethics • production studies • media history • political economy. CSMC publishes scholarship about media audiences, representations, institutions, technologies, and professional practices. It includes work in history, political economy, critical philosophy, race and feminist theorizing, rhetorical and media criticism, and literary theory. It takes an inclusive view of media, including newspapers, magazines and other forms of print, cable, radio, television, film, and new media technologies such as the Internet.
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