{"title":"The Ancient Egyptian Cosmological Vignette: First Visual Evidence of the Milky Way and Trends in Coffin Depictions of the Sky Goddess Nut","authors":"Or Graur","doi":"arxiv-2409.10265","DOIUrl":null,"url":null,"abstract":"Several studies have argued that the Milky Way was a representation of the\nancient Egyptian sky goddess Nut. Here, I test this assumption by examining\nNut's visual depictions on ancient Egyptian coffins. I assemble a catalog of\n555 coffin elements, which includes 118 cosmological vignettes from the\n21st/22nd Dynasties, and report several observations. First, I find that the\ncosmological vignette on the outer coffin of Nesitaudjatakhet bears a unique\nfeature: a thick, undulating black curve that bisects Nut's star-studded body\nand recalls the Great Rift that cleaves the Milky Way in two. Moreover, it\nresembles similar features identified as the Milky Way on the bodies of Navajo,\nHopi, and Zuni spiritual beings. Hence, I argue that the undulating curve on\nNut's body is the first visual representation of the Milky Way identified in\nthe Egyptian archaeological record. However, its rarity strengthens the\nconclusion reached by Graur (2024a): Though Nut and the Milky Way are linked,\nthey are not synonymous. Instead of acting as a representation of Nut, the\nMilky Way is one more celestial phenomenon that, like the Sun and the stars, is\nassociated with Nut in her role as the sky. Second, Nut's body is decorated\nwith stars in only a quarter of the vignettes. If we associate Nut's naked and\nstar-studded forms with the day and night sky, respectively, we would expect to\nsee stars in half of the vignettes. This null hypothesis is rejected at\n$>6\\sigma$ statistical significance. For whatever reason, it appears that the\nEgyptians of the 21st/22nd Dynasties preferred the day sky over the night sky.\nFinally, I discuss the interplay between Nut's cosmological vignette and\nfull-length portraits inside coffins from the New Kingdom to the Roman Period\nin light of Nut's combined cosmological and eschatological roles as an\nembodiment of the coffin.","PeriodicalId":501348,"journal":{"name":"arXiv - PHYS - Popular Physics","volume":"39 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"arXiv - PHYS - Popular Physics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/arxiv-2409.10265","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Several studies have argued that the Milky Way was a representation of the
ancient Egyptian sky goddess Nut. Here, I test this assumption by examining
Nut's visual depictions on ancient Egyptian coffins. I assemble a catalog of
555 coffin elements, which includes 118 cosmological vignettes from the
21st/22nd Dynasties, and report several observations. First, I find that the
cosmological vignette on the outer coffin of Nesitaudjatakhet bears a unique
feature: a thick, undulating black curve that bisects Nut's star-studded body
and recalls the Great Rift that cleaves the Milky Way in two. Moreover, it
resembles similar features identified as the Milky Way on the bodies of Navajo,
Hopi, and Zuni spiritual beings. Hence, I argue that the undulating curve on
Nut's body is the first visual representation of the Milky Way identified in
the Egyptian archaeological record. However, its rarity strengthens the
conclusion reached by Graur (2024a): Though Nut and the Milky Way are linked,
they are not synonymous. Instead of acting as a representation of Nut, the
Milky Way is one more celestial phenomenon that, like the Sun and the stars, is
associated with Nut in her role as the sky. Second, Nut's body is decorated
with stars in only a quarter of the vignettes. If we associate Nut's naked and
star-studded forms with the day and night sky, respectively, we would expect to
see stars in half of the vignettes. This null hypothesis is rejected at
$>6\sigma$ statistical significance. For whatever reason, it appears that the
Egyptians of the 21st/22nd Dynasties preferred the day sky over the night sky.
Finally, I discuss the interplay between Nut's cosmological vignette and
full-length portraits inside coffins from the New Kingdom to the Roman Period
in light of Nut's combined cosmological and eschatological roles as an
embodiment of the coffin.