A portrait of self-regulated musical learning behaviors among rock musicians: Applications in music education

IF 1.3 3区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH International Journal of Music Education Pub Date : 2024-10-08 DOI:10.1177/02557614241282883
Tina Holmes-Davis
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Abstract

Rock music and Western classical music seem very different but musicians in the two cultures may have enough self-regulated musical learning behaviors in common for concurrent application in school-based music education. In this paper, I describe the self-reported self-regulated musical learning behaviors of seven successful rock musicians, compare their behaviors to those expected in the Western classical tradition, and suggest ways to combine norms from both traditions in effective music education programs. Data are collected through digital ethnography methodology from a series of interviews published in YouTube. Emergent themes in the self-regulated musical learning behaviors of rock musicians include (1) passion for music making, (2) the importance of choice, (3) a need for personal control over learning, and (4) an emphasis on musical composition in daily practice.
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摇滚音乐家自我调节音乐学习行为的画像:在音乐教育中的应用
摇滚音乐和西方古典音乐看似截然不同,但这两种文化中的音乐家可能有足够多的自我调节音乐学习行为的共同点,可以同时应用于学校音乐教育中。在本文中,我描述了七位成功的摇滚音乐家自我报告的自我调节音乐学习行为,将他们的行为与西方古典音乐传统中的行为进行了比较,并提出了在有效的音乐教育项目中结合两种传统规范的方法。数据是通过数字民族志方法从 YouTube 上发布的一系列访谈中收集的。摇滚音乐家自我调节音乐学习行为的新主题包括:(1)对音乐创作的热情;(2)选择的重要性;(3)个人对学习控制的需求;以及(4)在日常练习中对音乐创作的重视。
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来源期刊
CiteScore
3.20
自引率
11.10%
发文量
58
期刊介绍: The International Journal of Music Education (IJME) is a peer-reviewed journal published by the International Society for Music Education (ISME) four times a year. Manuscripts published are scholarly works, representing empirical research in a variety of modalities. They enhance knowledge regarding the teaching and learning of music with a special interest toward an international constituency. Manuscripts report results of quantitative or qualitative research studies, summarize bodies or research, present theories, models, or philosophical positions, etc. Papers show relevance to advancing the practice of music teaching and learning at all age levels with issues of direct concern to the classroom or studio, in school and out, private and group instruction. All manuscripts should contain evidence of a scholarly approach and be situated within the current literature. Implications for learning and teaching of music should be clearly stated, relevant, contemporary, and of interest to an international readership.
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