{"title":"New Research on the Origin of Mosaic Gold.","authors":"Rafael Marqués García","doi":"10.1080/00026980.2024.2419309","DOIUrl":null,"url":null,"abstract":"<p><p>This article examines the origins of the golden pigment known as mosaic gold (SnS<sub>2</sub>), formed through the sublimation of tin with mercury, sulphur, and ammonium chloride. It explores the textual transmission of mosaic gold from the earliest known written testimonies, as well as the earliest material remnants of the pigment during the thirteenth and fourteenth centuries. Additionally, the study introduces and analyses two new recipes from an earlier date: one comes from the Greek treatise known as the <i>Anonymous of Zuretti</i>; and the other from the Latin alchemical work attributed to pseudo-Avicenna, <i>De anima</i>. The analysis of these new recipes allows for a better understanding of the origin of the pigment and its connection with the medieval alchemical tradition inherited from the Arabic world. Based on these testimonies, the study proposes a new hypothesis about the origin, development, and etymology of mosaic gold.</p>","PeriodicalId":50963,"journal":{"name":"Ambix","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ambix","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/00026980.2024.2419309","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
引用次数: 0
Abstract
This article examines the origins of the golden pigment known as mosaic gold (SnS2), formed through the sublimation of tin with mercury, sulphur, and ammonium chloride. It explores the textual transmission of mosaic gold from the earliest known written testimonies, as well as the earliest material remnants of the pigment during the thirteenth and fourteenth centuries. Additionally, the study introduces and analyses two new recipes from an earlier date: one comes from the Greek treatise known as the Anonymous of Zuretti; and the other from the Latin alchemical work attributed to pseudo-Avicenna, De anima. The analysis of these new recipes allows for a better understanding of the origin of the pigment and its connection with the medieval alchemical tradition inherited from the Arabic world. Based on these testimonies, the study proposes a new hypothesis about the origin, development, and etymology of mosaic gold.
期刊介绍：
Ambix is an internationally recognised, peer-reviewed quarterly journal devoted to publishing high-quality, original research and book reviews in the intellectual, social and cultural history of alchemy and chemistry. It publishes studies, discussions, and primary sources relevant to the historical experience of all areas related to alchemy and chemistry covering all periods (ancient to modern) and geographical regions. Ambix publishes individual papers, focused thematic sections and larger special issues (either single or double and usually guest-edited). Topics covered by Ambix include, but are not limited to, interactions between alchemy and chemistry and other disciplines; chemical medicine and pharmacy; molecular sciences; practices allied to material, instrumental, institutional and visual cultures; environmental chemistry; the chemical industry; the appearance of alchemy and chemistry within popular culture; biographical and historiographical studies; and the study of issues related to gender, race, and colonial experience within the context of chemistry.
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