{"title":"A song for Pelagibacter. Using creative improvisation as a tool for novel science communication through the Ocean Science Jam","authors":"Geraint Rhys Whittaker","doi":"10.3389/fmars.2024.1430701","DOIUrl":null,"url":null,"abstract":"Sharing complex oceanic research in an accessible way with the public is being identified by scientific institutions, universities, governmental departments, and NGOs as a critical intervention in promoting better engagement with the sea. Art–science collaborations play an integral role in this. Traditionally, these involve pairing artists and marine scientists to work on a project which is then presented to an audience. Increasingly however more interactive relationships with the public are being seen as a beneficial way to merge art and scientific data. The Ocean Science Jam is such a project that brings musicians, artists, dancers, performers, and the public together to respond creatively in real time to visual and audio cues based on a theme related to marine scientists’ work. By mixing creativity with science in an integrative way the Ocean Science Jam not only acts as tool for public communication but also opens new ways for scientific data to be interpreted by non-scientists. This paper will explore this initiative from design to delivery highlighting the results of facilitating with the public moments where new responses to ocean science can be created through art. It will do so by combining the reflections of the creator of the Ocean Science Jam as well as feedback from the scientists and public who have participated. It will argue for the benefits of using improvisation and artistic co-creation for developing moments of embodied oceanic exchange and connection.","PeriodicalId":12479,"journal":{"name":"Frontiers in Marine Science","volume":"127 1","pages":""},"PeriodicalIF":3.0000,"publicationDate":"2024-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Frontiers in Marine Science","FirstCategoryId":"99","ListUrlMain":"https://doi.org/10.3389/fmars.2024.1430701","RegionNum":2,"RegionCategory":"生物学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"MARINE & FRESHWATER BIOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
Sharing complex oceanic research in an accessible way with the public is being identified by scientific institutions, universities, governmental departments, and NGOs as a critical intervention in promoting better engagement with the sea. Art–science collaborations play an integral role in this. Traditionally, these involve pairing artists and marine scientists to work on a project which is then presented to an audience. Increasingly however more interactive relationships with the public are being seen as a beneficial way to merge art and scientific data. The Ocean Science Jam is such a project that brings musicians, artists, dancers, performers, and the public together to respond creatively in real time to visual and audio cues based on a theme related to marine scientists’ work. By mixing creativity with science in an integrative way the Ocean Science Jam not only acts as tool for public communication but also opens new ways for scientific data to be interpreted by non-scientists. This paper will explore this initiative from design to delivery highlighting the results of facilitating with the public moments where new responses to ocean science can be created through art. It will do so by combining the reflections of the creator of the Ocean Science Jam as well as feedback from the scientists and public who have participated. It will argue for the benefits of using improvisation and artistic co-creation for developing moments of embodied oceanic exchange and connection.
期刊介绍:
Frontiers in Marine Science publishes rigorously peer-reviewed research that advances our understanding of all aspects of the environment, biology, ecosystem functioning and human interactions with the oceans. Field Chief Editor Carlos M. Duarte at King Abdullah University of Science and Technology Thuwal is supported by an outstanding Editorial Board of international researchers. This multidisciplinary open-access journal is at the forefront of disseminating and communicating scientific knowledge and impactful discoveries to researchers, academics, policy makers and the public worldwide.
With the human population predicted to reach 9 billion people by 2050, it is clear that traditional land resources will not suffice to meet the demand for food or energy, required to support high-quality livelihoods. As a result, the oceans are emerging as a source of untapped assets, with new innovative industries, such as aquaculture, marine biotechnology, marine energy and deep-sea mining growing rapidly under a new era characterized by rapid growth of a blue, ocean-based economy. The sustainability of the blue economy is closely dependent on our knowledge about how to mitigate the impacts of the multiple pressures on the ocean ecosystem associated with the increased scale and diversification of industry operations in the ocean and global human pressures on the environment. Therefore, Frontiers in Marine Science particularly welcomes the communication of research outcomes addressing ocean-based solutions for the emerging challenges, including improved forecasting and observational capacities, understanding biodiversity and ecosystem problems, locally and globally, effective management strategies to maintain ocean health, and an improved capacity to sustainably derive resources from the oceans.