Confessional Performance: Remorse and the Affective Economy of Parole

IF 0.8 3区 艺术学 0 THEATER THEATRE JOURNAL Pub Date : 2024-11-15 DOI:10.1353/tj.2024.a943400
Jisha Menon
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Abstract

Abstract:

Taking the popular podcast series Violation as its point of departure, this article examines the dramaturgy within the parole system, its affective politics, and its performative speech acts to consider its role in the perpetuation of mass incarceration in the United States. By training an eye on the affective economy of parole hearings, this article explores the retributive turn in the criminal legal process in the wake of neoliberal economic reforms. It focuses on the anxious performance of remorse within parole hearings as a key form of affective currency that could potentially secure release from incarceration. In the process, the article examines the significant role that remorse plays in parole hearings in entrenching a dispositional conception of personal responsibility in the criminal legal system.

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忏悔表演:悔恨与假释的情感经济学
摘要:本文以流行的播客系列节目《违规》为出发点,研究了假释制度中的戏剧性、情感政治及其表演性言语行为,以思考其在美国大规模监禁的长期存在中所扮演的角色。通过关注假释听证会的情感经济,本文探讨了新自由主义经济改革后刑事法律程序中的报复性转向。文章将重点放在假释听证会中悔恨的焦虑表现上,将其作为一种重要的情感货币形式,有可能确保从监禁中释放出来。在此过程中,文章探讨了悔恨在假释听证会中扮演的重要角色,即在刑事法律体系中巩固个人责任的处置概念。
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来源期刊
THEATRE JOURNAL
THEATRE JOURNAL THEATER-
CiteScore
0.40
自引率
40.00%
发文量
87
期刊介绍: For over five decades, Theatre Journal"s broad array of scholarly articles and reviews has earned it an international reputation as one of the most authoritative and useful publications of theatre studies available today. Drawing contributions from noted practitioners and scholars, Theatre Journal features social and historical studies, production reviews, and theoretical inquiries that analyze dramatic texts and production.
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