Passage: Rehearsals in linguistic returns

Alia Al-Sabi, Amany Khalifa
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Abstract

This project is a rehearsal in language and its capacity to refuse comprehensibility. In this experimental process, we will be exploring the boundaries of legibility through a tracing of the shards and fragments embodied in the minor detail. With our sight fixed toward Palestine, we will explore how detail holds radical potential, be it in classical texts in the canon of Palestinian literature, or in the oral testimonies that have emerged from Gaza over the past 6 months. The focus on illegibility and language that defies comprehension exists in the shadow of genocide, where language fails to capture the immensity of the moment. Broken and sharp, it turns inward into a sense closer to emotion than to logic. In that sense, this project is also a rehearsal in utilizing language as matter, as material, as tangible touch.

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通道:语言回归排练
这个项目是对语言及其拒绝可理解性的能力的一次排练。在这个实验过程中,我们将通过对小细节中体现的碎片和碎片的追踪来探索易读性的边界。随着我们的目光投向巴勒斯坦,我们将探索细节如何具有激进的潜力,无论是在巴勒斯坦文学经典的经典文本中,还是在过去6个月里从加沙出现的口头证词中。对难以辨认和难以理解的语言的关注存在于种族灭绝的阴影中,语言无法捕捉到这一时刻的巨大意义。它破碎而尖锐,向内转变为一种更接近情感而非逻辑的感觉。从这个意义上说,这个项目也是一次将语言作为物质,作为材料,作为有形接触的演练。
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Issue Information From Ottawa, for Palestine: Nadia Abu-Zahra's poetry against genocide Passage: Rehearsals in linguistic returns Palestine as exception, Palestine as norm—Critical perspectives on Gaza from North America Elastic Empire: Refashioning war through aid in Palestine By Lisa Bhungalia, Stanford: Stanford University Press. 2023
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