Interview with Laween Palestinian Cooperative: Theatre in the Time of Genocide

IF 0.3 3区 艺术学 0 THEATER NEW THEATRE QUARTERLY Pub Date : 2025-01-10 DOI:10.1017/s0266464x24000332
Mousa Nazzal, Hamza Al-Bakri, Dia Barghouti
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Abstract

Laween is among several Palestinian theatre cooperatives established over the last decade, which have not received sufficient attention from theatre scholars. Born out of the struggle of living under Israeli apartheid, the repression of the Palestinian Authority, and alienation from NGO theatres, whose work has been depoliticized by reliance on foreign funding, the emergence of these theatre cooperatives represents a significant change in the Palestinian cultural landscape. Working with a renewed cultural and political consciousness, Laween seeks to reflect collectively on, and resist the various forms of oppression experienced by, the Palestinian community. The ongoing Israeli genocide in Gaza, together with Israeli military and settler violence in the West Bank, make it more pertinent than ever to rethink what ‘cultural resistance’ means in the Palestinian context and to give attention to the community initiatives grappling with the brutal realities of ethnic cleansing through art. The interview here with two of the founding members of Laween, Mousa Nazzal and Hamza Al-Bakri, discusses the development, challenges, and envisaged future of this Palestinian theatre cooperative.

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与Laween巴勒斯坦合作社的访谈:种族灭绝时期的戏剧
Laween是过去十年建立的几个巴勒斯坦戏剧合作社之一,这些合作社没有得到戏剧学者的足够重视。这些戏剧合作社的出现代表了巴勒斯坦文化景观的一个重大变化,它诞生于以色列种族隔离制度下的生活斗争,巴勒斯坦权力机构的镇压,以及与非政府组织剧院的疏远,这些非政府组织剧院的工作因依赖外国资金而非政治化。带着全新的文化和政治意识,Laween寻求集体反思,并抵制巴勒斯坦社区所经历的各种形式的压迫。以色列在加沙正在进行的种族灭绝,以及以色列在西岸的军事和定居者暴力,使我们比以往任何时候都更有必要重新思考“文化抵抗”在巴勒斯坦背景下的含义,并关注社区倡议,通过艺术来应对种族清洗的残酷现实。本文采访了Laween的两位创始成员Mousa Nazzal和Hamza Al-Bakri,讨论了这个巴勒斯坦戏剧合作社的发展、挑战和设想的未来。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
45
期刊介绍: New Theatre Quarterly provides a vital international forum where theatrical scholarship and practice can meet and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies.
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