“A space to be myself ”: Music and self-determination in the lives of autistic adults

IF 1.6 3区 心理学 0 MUSIC Psychology of Music Pub Date : 2025-01-17 DOI:10.1177/03057356241305558
Kaja Korošec, Anna Backman Bister, Eva Bojner Horwitz
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Abstract

Despite many decades of academic interest in music and autism, we know little about what music means to autistic adults and how they experience it. The few existing studies lack a common theoretical basis and are therefore difficult to compare and integrate. To address this gap, we investigated whether Self-Determination Theory can be used as a common framework for understanding the functions of music as experienced by autistic adults. We focused specifically on the support and thwarting of the basic psychological needs (autonomy, competence, and relatedness). Thirteen autistic adults (seven women and six men; aged between 24 and 69 years) described their experiences with musicking in a one-to-one semi-structured online interview. We analyzed the transcripts using directed qualitative content analysis (DQCA). We found that music engagement can thwart as well as support autonomy, competence, and relatedness and that Self-Determination Theory indeed offers a robust starting point for understanding the functions of music as seen by autistic adults. We illustrate how basic psychological needs provide a red thread connecting all previous studies that investigated the experience of music in autistic adults.
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“做我自己的空间”:自闭症成年人生活中的音乐和自我决定
尽管数十年来学术界一直在关注音乐与自闭症,但我们对音乐对自闭症成人的意义以及他们如何体验音乐知之甚少。现有的少数研究缺乏共同的理论基础,因此难以进行比较和整合。为了弥补这一不足,我们研究了自我决定理论是否可以作为一个共同框架,用于理解自闭症成人所体验的音乐功能。我们特别关注了基本心理需求(自主性、能力和相关性)的支持和挫败。13 名成年自闭症患者(7 名女性和 6 名男性,年龄在 24 岁至 69 岁之间)在一对一的半结构化在线访谈中描述了他们的音乐体验。我们采用定向定性内容分析(DQCA)对访谈记录进行了分析。我们发现,音乐参与既能阻碍也能支持自主性、能力和相关性,而且自我决定理论确实为理解自闭症成人眼中的音乐功能提供了一个强有力的出发点。我们说明了基本心理需求如何提供了一条红线,将以往所有调查自闭症成人音乐体验的研究联系起来。
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来源期刊
CiteScore
4.00
自引率
17.60%
发文量
88
期刊介绍: Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.
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