{"title":"Reconstructing Fashion: The Mock-Velvet Doublet of a Seventeenth-Century Florentine Waterseller.","authors":"Sophie Pitman","doi":"10.1080/00404969.2024.2373863","DOIUrl":null,"url":null,"abstract":"<p><p>This article explores an extraordinary 'doublet of black stamped mockado, nasty' owned by an everyday artisan, the Florentine waterseller Francesco Ristori, who died in 1631. Our only record of this garment - like many non-elite objects - is a written description in a posthumous inventory, but this article shows how we can reconstruct this doublet through a combination of archival, visual, material sources and hands-on experimental methods. Offering a thorough account of the processes and methodological basis of the material reconstruction, it explains why Ristori's doublet exemplifies many key features of early modern everyday fashion, the historical importance of the doublet as a garment, the innovation of mixed fibre fabrics like mockado, the novelty of stamping techniques, the challenges and importance of black dye, and what the 'nasty' condition suggests about Ristori's use of the doublet. It will also suggest why a Florentine waterseller might want to look fashionable, and will give an overview of Ristori's domestic and working circumstances, in order to connect his clothing choices to his everyday experiences. This micro-history of Ristori's doublet brings to life the macroworld of early modern everyday fashion.</p>","PeriodicalId":43311,"journal":{"name":"TEXTILE HISTORY","volume":"54 1","pages":"10-38"},"PeriodicalIF":0.5000,"publicationDate":"2025-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC11750147/pdf/","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXTILE HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00404969.2024.2373863","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2023/1/1 0:00:00","PubModel":"eCollection","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
This article explores an extraordinary 'doublet of black stamped mockado, nasty' owned by an everyday artisan, the Florentine waterseller Francesco Ristori, who died in 1631. Our only record of this garment - like many non-elite objects - is a written description in a posthumous inventory, but this article shows how we can reconstruct this doublet through a combination of archival, visual, material sources and hands-on experimental methods. Offering a thorough account of the processes and methodological basis of the material reconstruction, it explains why Ristori's doublet exemplifies many key features of early modern everyday fashion, the historical importance of the doublet as a garment, the innovation of mixed fibre fabrics like mockado, the novelty of stamping techniques, the challenges and importance of black dye, and what the 'nasty' condition suggests about Ristori's use of the doublet. It will also suggest why a Florentine waterseller might want to look fashionable, and will give an overview of Ristori's domestic and working circumstances, in order to connect his clothing choices to his everyday experiences. This micro-history of Ristori's doublet brings to life the macroworld of early modern everyday fashion.
期刊介绍:
Textile History is an internationally recognised, peer reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published in the spring and autumn of each year, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of scholarship arising from the history of textiles and dress. Since its foundation the scope of the journal has been substantially expanded to include articles dealing with aspects of the cultural and social history of apparel and textiles, as well as issues arising from the exhibition, preservation and interpretation of historic textiles or clothing.