Enabling more equitable teaching of advanced GCE level (A-Level) Music in England: a partnership approach

IF 0.8 3区 教育学 Q3 EDUCATION & EDUCATIONAL RESEARCH British Journal of Music Education Pub Date : 2025-03-27 DOI:10.1017/s0265051725000075
Robert Gardiner
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Abstract

Recent governmental figures have demonstrated that the number of students taking an examination in A-Level Music across England has fallen by 41% in eleven years (Ofqual, 2023a). Furthermore, areas with lower POLAR ratings (i.e. historical rates of participation in higher education) and greater levels of deprivation correlate with lower uptake of A-Level Music (Whittaker et al., 2019). These findings have profound implications for equitable access to music education, especially at advanced levels. Against this challenging background, Sandbach School, the Love Music Trust and the Royal Northern College of Music have sought to respond by creating a new partnership approach to A-Level Music. Since September 2019, this specialist course has drawn students together from all over Cheshire whose access to A-Level Music has been geographically limited. Specifically aiming to facilitate progression into higher education, this course provides the young musicians with musical enrichment activities that are additional to the core curriculum, including performance opportunities, advanced musicianship classes, chamber music and instrumental tuition at the Royal Northern College of Music. This article presents a critical discourse analysis of data collected from these students and their teachers, contextualising their experiences within a broader analysis of recent socio-cultural trends and the associated political climate that has impacted on the provision of music education within English schools. Findings point to an important rearticulation of the meaning of ‘Music Hub’, where putting schools at the centre and enriching this provision through strategic partnerships with local ensembles, music services and higher education institutions can build musical cultures and communities that better enable equitable access to high-level music education and progression pathways into higher education.

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使英国高级GCE水平(a - level)音乐教学更加公平:合作方法
最近的政府数据表明,参加A-Level音乐考试的学生人数在11年内下降了41% (Ofqual, 2023a)。此外,POLAR评分较低(即高等教育的历史参与率)和剥夺程度较高的地区与A-Level音乐的吸收率较低相关(Whittaker等人,2019)。这些发现对公平获得音乐教育有着深远的影响,特别是在高级水平。在这种具有挑战性的背景下,桑德巴赫学校、爱音乐信托基金会和皇家北方音乐学院寻求通过创建一种新的合作方式来应对a - level音乐。自2019年9月以来,这门专业课程吸引了来自柴郡各地的学生,他们获得A-Level音乐的机会受到地域限制。该课程旨在促进青年音乐家进入高等教育,为他们提供核心课程之外的音乐丰富活动,包括表演机会,高级音乐课程,室内乐和皇家北方音乐学院的器乐课程。本文对从这些学生和他们的老师那里收集的数据进行了批判性的话语分析,将他们的经历置于对最近社会文化趋势和相关政治气候的更广泛分析中,这些趋势和政治气候影响了英语学校音乐教育的提供。研究结果指出了对“音乐中心”意义的重要重新阐释,即将学校置于中心位置,并通过与当地乐团、音乐服务机构和高等教育机构的战略合作伙伴关系来丰富这一规定,可以建立音乐文化和社区,从而更好地实现公平获得高水平音乐教育和进入高等教育的发展途径。
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CiteScore
2.40
自引率
10.00%
发文量
37
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